Set in 1920s Shanghai during a time of political upheaval, the novel explores the existential themes of life, death, and the human condition through the experiences of a group of revolutionaries. The narrative follows their struggles and sacrifices for their cause, the Communist revolution, and their inevitable confrontation with their own mortality and the harsh realities of life. The book delves into the complexities of political ideologies, human relationships and the constant struggle between hope and despair.

The novel follows the journey of a wealthy Englishman who makes a high-stakes wager that he can travel around the world in eighty days. Accompanied by his loyal French valet, they encounter numerous obstacles and adventures across different cultures and landscapes, including rescuing a beautiful Indian woman from a ritual sacrifice. The book is a celebration of the technological advancements of the 19th century, with the main characters utilizing various modes of transportation such as steamships, railways, and even an elephant.

The book in question is a scholarly examination of the concept of 'hydraulic civilization,' a term used to describe societies that manage large-scale water projects such as irrigation and flood control. The author argues that the bureaucratic structures necessary to control water resources in arid regions historically led to the centralization of power and the development of autocratic or despotic forms of government. Through comparative analysis, the work explores how the management of water resources influenced social, economic, and political structures, and how this 'total power' shaped the civilizations in question, with a particular focus on Asia. The study delves into the relationship between natural environments, technological capabilities, and the evolution of political systems.

"The Good Person of Szechwan" is a parable play that explores the difficulty of maintaining one's morals and goodness in a corrupt and exploitative world. The story revolves around a kind-hearted prostitute who struggles to be a good person under the harsh realities of life in Szechwan. When three gods visit the city in search of a good person, they find only her willing to help them. However, to survive, she must adopt a ruthless alter ego, leading to a complex exploration of morality, identity, and societal pressures.

This book is a fascinating travel memoir documenting the author's daring and perilous journey to Lhasa, the capital of Tibet, in 1923. Disguised as a beggar and accompanied by a young Tibetan monk, she traversed harsh terrains, braved extreme weather conditions, and evaded authorities who forbade foreigners from entering the city. Throughout her journey, she encountered various aspects of Tibetan culture, religion, and way of life, offering an insightful and vivid portrayal of a land and people largely unknown to the outside world at that time.

"Oriental Despotism" presents a theory that ancient bureaucratic societies, particularly those in Asia, developed as a result of the need to manage large-scale irrigation systems. The author argues that the control of water resources in arid regions led to the creation of centralized, autocratic power structures, which he terms "hydraulic despotisms." These governments wielded significant control over their subjects, as the management and distribution of water was crucial for agriculture and survival. The book explores how this form of governance influenced the political and social structures of various Eastern civilizations, contrasting them with Western societies that developed under different ecological conditions.

In this travelogue, the author offers an intimate glimpse into the daily life and culture of a pre-World War II Chinese city, far removed from Western influence. Through vivid descriptions and personal anecdotes, the narrative captures the essence of the city's streets, its people, and their traditions, painting a rich tapestry of local customs, beliefs, and the social dynamics of the time. The author's journey not only explores the physical spaces of the city but also delves into the philosophical and spiritual undercurrents that define the heart of its civilization, providing a unique and timeless insight into a way of life that stands at the crossroads of change.

"The Conquerors" is a novel set against the backdrop of the 1925-1926 Chinese revolution, exploring the complexities of political upheaval and the human spirit. The narrative follows a European protagonist who becomes entangled in the revolutionary fervor sweeping through colonial Asia. As he aligns himself with communist insurgents, he grapples with the moral ambiguities of violent struggle and the personal costs of ideological commitment. The story delves into themes of power, betrayal, and the existential search for meaning amidst chaos, capturing the tumultuous atmosphere of a society on the brink of transformation.

"Passagère du Silence" is a memoir that chronicles the transformative journey of a young Western woman who immerses herself in the ancient traditions of Chinese art and philosophy. Seeking to understand the depths of Chinese painting, she endures years of rigorous training under the tutelage of venerable Chinese masters, navigating cultural barriers and personal challenges. Her narrative weaves together her artistic growth with introspective reflections, revealing how the disciplined practice of calligraphy and painting leads to profound insights into the nature of silence, creativity, and the human spirit. Through her experiences, the memoir explores the fusion of Eastern and Western perspectives, ultimately portraying a quest for universal truths within the realm of art.