This comedic play revolves around two protagonists who both use the pseudonym "Ernest" to escape their social obligations. Their plans unravel when they fall in love and their betrothed women reveal they are only willing to marry men named Ernest. The situation is further complicated by a case of mistaken identity, a lost handbag, and a surprising revelation about one of the protagonist's parentage. The play uses wit and humor to satirize the social conventions of Victorian England, particularly the importance placed on trivialities.

The novel explores the life of the titular character, a disaffected and detached man living in London who prefers the realm of his own thoughts to the real world. After securing a job as a nurse at a mental institution, he becomes increasingly detached from reality. The narrative also delves into his relationships with various other characters, including his fiancée, his best friend and a prostitute. The book is known for its dark humor and its exploration of themes such as existentialism and the nature of human consciousness.

This collection features selected plays by a renowned playwright, showcasing his wit, social criticism, and talent for character development. The plays touch on a wide range of themes, including class struggles, the complexities of love, the absurdity of war, and the pursuit of individual freedom. The author's sharp dialogue and satirical approach make these plays both entertaining and thought-provoking, reflecting his progressive views and his belief in the potential for societal change.

The play is a classic comedy of manners set in 18th-century Bath, England, revolving around the romantic misunderstandings and the social pretensions of its characters. The central plot follows the young Lydia Languish, who is enamored with the idea of a romantic elopement and disdains the idea of a conventional marriage. She is pursued by Captain Jack Absolute, who disguises himself as a poor ensign named Beverley to win her affections. Meanwhile, other characters engage in their own schemes and rivalries: Lydia's aunt, Mrs. Malaprop, with her famously mangled vocabulary, seeks a suitable match for her niece, while the hotheaded Sir Lucius O'Trigger and the bumbling Bob Acres both vie for the hand of the same woman. The play is a satirical examination of love, language, and social affectation.