"Happy Days" is a play that revolves around the life of Winnie, a middle-aged woman who is buried up to her waist in a mound of earth, with her situation worsening in the second act as she becomes buried up to her neck. Despite her predicament, Winnie maintains a sense of optimism and routine, often reminiscing about the past and engaging in one-sided conversations with her taciturn husband, Willie, who is largely invisible offstage. The play delves into themes of human resilience, the passage of time, and the search for meaning in the face of an absurd and unchanging predicament, with Winnie's relentless cheerfulness contrasted against the bleak and inexplicable situation she finds herself in.

"The King of Time" is a collection of avant-garde poetry and prose that delves into the themes of time, revolution, and the cosmic order through the lens of Russian Futurism. The work is characterized by its innovative use of language, bold imagery, and the exploration of new poetic forms. It reflects the author's fascination with the intersection of ancient mythologies and modern scientific concepts, as well as his belief in the transformative power of art and the artist's role in shaping the future. The pieces within the collection are marked by their rhythmic intensity and the creation of a unique linguistic universe, showcasing the author's vision of a world on the brink of monumental change.