This novel tells the story of two friends, Elena and Lila, growing up in a poor neighborhood in Naples, Italy in the 1950s. Their intense, complicated friendship is marked by competition, mutual respect, and deep affection. As they navigate the challenges of adolescence, including family drama, academic struggles, and romantic entanglements, their bond is tested and transformed. The narrative explores themes of female friendship, social class, education, and the struggle for personal autonomy in a patriarchal society.

"The Neapolitan Novels" is a four-part series that explores the intricate and lifelong friendship between two women from Naples, Italy. The series spans several decades, beginning in the 1950s, and provides a detailed examination of the women's lives, struggles, and the societal pressures they face. The narrative delves into themes of identity, friendship, love, violence, and socio-political changes in post-war Italy. The series is known for its rich character development and vivid portrayal of female friendship.

The novel revolves around the story of a disillusioned and impoverished nobleman who, during his stay on a desolate Atlantic island, encounters a mysterious iguana-like creature that is actually an enchanted princess. As their friendship develops, the nobleman becomes determined to break the curse that binds her. The narrative, rich in symbolism and allegory, explores themes of isolation, the clash between modernity and tradition, and the nature of humanity's relationship with the otherworldly, all set against the backdrop of a decaying aristocracy and the haunting beauty of the remote island landscape.

This novel follows a woman who returns to Naples after her mother's mysterious death, determined to understand the enigmatic life her mother led. As she delves into her mother's past, she uncovers a web of secrets and discovers more about her own identity in the process. The narrative explores themes of mother-daughter relationships, identity, and the power of the past.

"The New Science" is a groundbreaking philosophical work that proposes a new approach to the study of society, history, and the nature of human behavior. The author argues that human beings are the creators of their own history, culture, and society, and that they can therefore understand these phenomena in a way that they cannot understand the natural world. He also introduces the concept of a cyclical theory of history, where societies rise, develop, and eventually decline, only to rise again in a different form. The book has had a profound influence on a range of fields, including anthropology, sociology, and history.

This book is a vivid and harrowing account of the liberation of Naples by the Allies during World War II, as seen through the eyes of the author, who serves as a liaison officer with the American forces. It delves into the moral and physical decay that war brings to a city and its inhabitants, exploring themes of survival, the price of liberation, and the complex relationship between conquerors and the conquered. Through a series of grotesque, often shocking episodes, the narrative portrays the desperation and degradation of a society stripped of dignity, where human skin becomes a metaphor for the erosion of humanity itself. The work is a powerful, if unsettling, examination of the human condition under the extreme pressures of war, betrayal, and occupation.