The novel is a semi-autobiographical work that explores the harsh realities of life through the cynical and disillusioned eyes of the protagonist. The narrative follows his experiences from the trenches of World War I, through the African jungles, to the streets of America and the slums of Paris, showcasing the horrors of war, colonialism, and the dark side of human nature. The protagonist's journey is marked by his struggle with despair, loneliness, and the absurdity of existence, offering a bleak yet profound commentary on the human condition.

"Death on Credit" is a semi-autobiographical novel that explores the life of a young Frenchman in Paris during the early 20th century. The protagonist, a medical student from a poor family, struggles with the harsh realities of life, including poverty, sickness, and death. The narrative is marked by its dark humor, cynicism, and scathing critique of society, reflecting the author's own experiences and views. The protagonist's journey is a constant struggle against the absurdity and despair of existence, depicted through a series of episodic adventures and misadventures.

The novel follows the adventures of an eccentric, violent, and mentally unstable protagonist who is released from an asylum by his psychiatrist. The pair embark on a chaotic journey across Europe and America, encountering a variety of strange and often dangerous situations. The narrative explores themes of insanity, violence, and the human condition, offering a dark and surreal critique of modern society.

The novel is a playful and complex narrative that intertwines the stories of two characters living centuries apart: the medieval Duke of Auge as he goes on various adventures, and a modern-day Frenchman named Cidrolin who spends his days idly lounging on a barge moored on the Seine. The narrative switches back and forth between the two timelines with each chapter, employing a variety of literary styles and linguistic puns. The book is known for its experimental use of language, its humorous take on historical and contemporary life, and its exploration of themes such as time, identity, and the cyclical nature of existence.

"Entering Fire" is a dark, surreal exploration of the human psyche, set against the backdrop of 19th-century France. The story follows the life of a man obsessed with the bizarre and grotesque, as he delves into the world of sexual obsession, madness, and the grotesque. His journey takes him from the underbelly of Paris to the exotic landscapes of North Africa, as he seeks to understand the nature of desire and the limits of the human mind. The narrative is rich with historical detail and vivid, dreamlike imagery, creating a world that is at once fascinating and deeply disturbing.

This book is a collection of manifestos that serve as a seminal document in the history of the Dada movement, an avant-garde art movement of the early 20th century. The texts within are a blend of satire, polemic, and absurdity, reflecting the movement's disdain for the norms of bourgeois culture and traditional aesthetics. The author, a key figure in Dadaism, uses these manifestos to challenge concepts of art, literature, and politics, advocating for chaos and spontaneity over logic and reason. The work is both a philosophical treatise and a call to arms, encouraging the reader to question the status quo and embrace the liberating power of nonconformity and irrationality.