The novel is a semi-autobiographical work that explores the harsh realities of life through the cynical and disillusioned eyes of the protagonist. The narrative follows his experiences from the trenches of World War I, through the African jungles, to the streets of America and the slums of Paris, showcasing the horrors of war, colonialism, and the dark side of human nature. The protagonist's journey is marked by his struggle with despair, loneliness, and the absurdity of existence, offering a bleak yet profound commentary on the human condition.

A young, precocious girl named Zazie comes to Paris to stay with her flamboyant uncle, a professional female impersonator. She is obsessed with riding the Metro, but a strike thwarts her plans. As she explores the city on her own, she encounters a variety of eccentric characters, gets into mischief, and ultimately causes chaos in the city. The novel is a humorous and satirical look at Parisian life, filled with word play and surreal elements.

"Death on Credit" is a semi-autobiographical novel that explores the life of a young Frenchman in Paris during the early 20th century. The protagonist, a medical student from a poor family, struggles with the harsh realities of life, including poverty, sickness, and death. The narrative is marked by its dark humor, cynicism, and scathing critique of society, reflecting the author's own experiences and views. The protagonist's journey is a constant struggle against the absurdity and despair of existence, depicted through a series of episodic adventures and misadventures.

The novel follows the adventures of an eccentric, violent, and mentally unstable protagonist who is released from an asylum by his psychiatrist. The pair embark on a chaotic journey across Europe and America, encountering a variety of strange and often dangerous situations. The narrative explores themes of insanity, violence, and the human condition, offering a dark and surreal critique of modern society.

"Tarr" is a novel set in pre-World War I Paris and follows the story of an English artist, Frederick Tarr. The narrative explores the complex relationships between Tarr and his friends, including his German rival Kreisler and the woman they both love, Bertha. The novel delves into themes of modernism, masculinity, and the clash of cultures, while also providing a satirical critique of the bohemian lifestyle in early 20th century Paris.

This book is a collection of manifestos that serve as a seminal document in the history of the Dada movement, an avant-garde art movement of the early 20th century. The texts within are a blend of satire, polemic, and absurdity, reflecting the movement's disdain for the norms of bourgeois culture and traditional aesthetics. The author, a key figure in Dadaism, uses these manifestos to challenge concepts of art, literature, and politics, advocating for chaos and spontaneity over logic and reason. The work is both a philosophical treatise and a call to arms, encouraging the reader to question the status quo and embrace the liberating power of nonconformity and irrationality.