The book is a seminal work in Yiddish literature and folklore, centering around the concept of a dybbuk—a malicious possessing spirit from Jewish mythology. The narrative follows the tragic tale of a young bride in a Polish shtetl who becomes possessed by the restless spirit of her dead lover, who had been wronged by his own father and her father's broken pledge. The possession leads to a dramatic exorcism and a series of events that explore themes of love, betrayal, and the clash between the mystical and the rational, as well as the boundaries of life and death. The story delves into the rich tapestry of Jewish mysticism, community, and tradition, reflecting the cultural and religious tensions of Eastern European Jews before the First World War.

"Happy Days" is a play that revolves around the life of Winnie, a middle-aged woman who is buried up to her waist in a mound of earth, with her situation worsening in the second act as she becomes buried up to her neck. Despite her predicament, Winnie maintains a sense of optimism and routine, often reminiscing about the past and engaging in one-sided conversations with her taciturn husband, Willie, who is largely invisible offstage. The play delves into themes of human resilience, the passage of time, and the search for meaning in the face of an absurd and unchanging predicament, with Winnie's relentless cheerfulness contrasted against the bleak and inexplicable situation she finds herself in.

"The Rope" is a classic Roman comedy that revolves around the mishaps and misunderstandings that ensue when a young man's plan to rescue his lover from a life of servitude goes awry. The play humorously depicts the lengths to which characters will go for love and freedom, featuring a cast of cunning slaves, mistaken identities, and a twist of fate. As the plot unfolds, the young man's father becomes entangled in the scheme, leading to a series of comic situations that culminate in an unexpected resolution. The work is a testament to the enduring nature of farce and the skillful use of dramatic irony to entertain and engage the audience.

"The Eunuch" is a classic Roman comedy that revolves around the convoluted romantic pursuits of several characters in ancient Athens. The plot centers on a young man who falls in love with a courtesan and, in an attempt to win her affections, disguises his slave as a eunuch to gain access to her household. Meanwhile, his friend is also enamored with the courtesan's ward, leading to a series of misunderstandings and mistaken identities. The play humorously explores themes of love, deception, and the social mores of the time, culminating in a resolution that restores order and reconciles the characters.

"Six Tragedies" is a collection of dramatic works that delve into the darker aspects of human nature and the tragic consequences of hubris, revenge, and passion. These classical plays, written in the Roman Imperial period, reimagine ancient myths and historical events, exploring themes of power, madness, and moral corruption. The narratives often feature protagonists who face overwhelming internal and external conflicts, leading to catastrophic outcomes. The plays are notable for their intense emotional expression, philosophical insights, and the playwright's masterful use of language to probe the complexities of the human condition.