The novel tells the story of Oskar Matzerath, a boy who decides on his third birthday that he will stop growing and remain a three-year-old forever. Oskar is gifted with a tin drum by his mother, which he uses to express his emotions and thoughts. Living in Danzig during the rise of Nazi Germany, Oskar's refusal to grow is a form of protest against the adult world. The book is a blend of magical realism and historical fiction, providing a unique perspective on the horrors of World War II and the post-war era in Germany.

The novel follows the story of Jacques Austerlitz, an architectural historian who was brought to England on a Kindertransport from Czechoslovakia during World War II. As an adult, Jacques embarks on a journey to uncover his past, including his original identity, his parent's fate, and his own lost history. The narrative is a haunting exploration of memory, identity, and the lasting impact of the Holocaust.

The book is a satirical science fiction novella that takes readers on a journey through a post-apocalyptic world. Set in a future where a catastrophic event has fragmented society, the story follows a journalist as he travels to an artificial island known as the Egghead Republic, a haven for intellectuals and scientists. This enclave is dedicated to preserving knowledge and culture amidst the chaos of the outside world. The narrative is characterized by its linguistic inventiveness and complex wordplay, as it explores themes of isolation, the role of intellectuals in society, and the nature of human civilization through the lens of a dystopian future.

"Dog Years" is a novel set in Germany during the rise and fall of the Nazi regime and the aftermath of World War II. The story is told from the perspectives of three friends: Walter Matern, a fervent Nazi supporter; Eduard Amsel, a Jewish artist who creates scarecrows; and Harry Liebenau, who narrates their stories. The novel explores the complexities of friendship and identity amidst the backdrop of war, guilt, and redemption. It also delves into the psychological impact of the Holocaust on German society and the struggle to come to terms with its horrific past.

"Vertigo" is a complex narrative that combines elements of fiction, travelogue, biography, and autobiography. The novel is divided into four sections, each exploring the life and works of different historical figures such as Stendhal, Kafka, and Casanova, as well as the author's own experiences. The narrative is characterized by its exploration of themes such as memory, identity, and the past, often blurring the lines between fact and fiction. The book is also notable for its distinctive style, featuring long, meandering sentences and a lack of traditional plot structure.

"Arabesques" is a novel that intricately blends autobiography, fiction, and historical narrative to explore the complexities of identity and heritage. Set primarily in the Arab village of Fassuta in northern Israel, the story delves into the life of the narrator and his extended family, tracing their roots and experiences across generations and borders. Through a tapestry of memories, stories, and shifting perspectives, the novel examines themes of displacement, belonging, and the cultural and political tensions in the Middle East, all while challenging the boundaries between history and memory, and truth and fiction.

The novel is a rich and intricate tapestry of life in Israel during the 1970s, following the intertwined lives of three men—Cecil, Goldman, and Israel—who are grappling with existential crises after the death of their friend, Yehuda. The narrative delves deeply into their personal histories, relationships, and the complex web of their social milieu, painting a vivid portrait of urban Israeli society. Through a stream-of-consciousness style, the book explores themes of love, loss, and the search for meaning in a world marked by political turmoil and cultural change, offering a poignant reflection on the human condition.