The book follows the lives of two Jewish cousins, one a skilled escape artist and the other a talented artist, before, during, and after World War II. They create a popular comic book superhero, which brings them fame and fortune. However, their success is complicated by personal struggles, including the escape artist's attempts to rescue his family from Nazi-occupied Prague and the artist's struggle with his sexuality. The narrative explores themes of escapism, identity, and the golden age of comic books.

"Money" is a darkly humorous novel that follows the life of John Self, a hedonistic, self-destructive director of commercials, as he navigates the excesses and depravities of 1980s New York and London. His life is filled with overindulgence in food, alcohol, drugs, and women, leading to a downward spiral of self-destruction. The novel is a satire on the excesses of capitalism and the obsession with wealth and materialism, and it also explores themes of identity, self-loathing, and the destructive power of addiction.

The novel is a complex and lengthy examination of authenticity and forgery. It tells the story of a young man who becomes a master forger of Old Masters paintings, while exploring themes of identity, religion, and art. As the plot unfolds, the protagonist grapples with his own authenticity in a world obsessed with appearances and material success. The narrative is interspersed with philosophical and religious discussions, making it a challenging yet thought-provoking read.

"Blood and Guts in High School" is a postmodern feminist novel that follows the life of a young girl named Janey Smith, who embarks on a journey of self-discovery after being sexually exploited by her father. The narrative, fragmented and nonlinear, explores themes of sexual liberation, identity, and rebellion against societal norms. The protagonist's experiences are depicted through various forms of writing such as dream sequences, drawings, and plagiarized texts, blurring the line between reality and fiction.

The novel is a satirical critique of capitalism, narrating the story of an 11-year-old boy who builds a vast financial empire from his school's payphone. Using the adults around him as pawns, he manipulates the system to his own advantage, turning junk bonds into high profits. The narrative unfolds almost entirely through dialogue, making it a challenging but rewarding read. The book is a commentary on the American dream, exploring themes of greed, exploitation, and the dehumanizing effects of capitalism.

"Mao II" is a novel that explores the life of a reclusive novelist who hasn't been seen in public for many years. The protagonist is drawn out of his seclusion when he becomes involved in an international crisis involving a hostage situation in Beirut. The book delves into themes of terrorism, mass culture, and the power of the written word, while examining the relationship between the individual artist and the collective society.

"Take It Or Leave It" is a unique narrative that blends fiction and autobiography. The story is about a French-American man who is drafted into the U.S. Army during the Korean War. The narrative is non-linear and fragmented, often digressing into side stories and anecdotes. The protagonist shares his experiences of growing up in France during World War II, his immigration to the United States, and his experiences in the army. The book plays with the conventions of storytelling and is known for its postmodern style.

The novel explores the complex and often absurd world of American law and litigation. The protagonist is a retired law professor who is embroiled in multiple lawsuits, including one against himself. The narrative is filled with legal documents, depositions, and court transcripts, which serve to critique the convoluted and often nonsensical nature of the legal system. The book also satirizes the American obsession with wealth and property, and the lengths people will go to protect their own interests.

"Within the Context of No Context" is a critical examination of the impact of television and mass media on American culture and individual identity. The book presents a poignant analysis of how media reshapes human experiences and societal norms, creating a "context of no context" where traditional frameworks for understanding the world are eroded. The author argues that the overwhelming presence of media leads to a superficiality that disconnects people from authentic human interactions and historical continuity, ultimately altering perceptions of reality and diminishing the depth of personal and collective narratives.