This novel is a complex narrative that weaves together three distinct yet intertwined stories. The first story is set in 1930s Moscow and follows the devil and his entourage as they wreak havoc on the city's literary elite. The second story is a historical narrative about Pontius Pilate and his role in the crucifixion of Jesus Christ. The third story is a love story between the titular Master, a writer who has been driven to madness by the criticism of his work, and his devoted lover, Margarita. The novel is a satirical critique of Soviet society, particularly the literary establishment, and its treatment of artists. It also explores themes of love, sacrifice, and the nature of good and evil.

"Nights at the Circus" is a fantastical tale set in the late 19th century, centering around a trapeze artist who claims to be a swan princess with wings. A journalist is intrigued by her story and joins the circus to uncover the truth. As the troupe travels from London to Siberia, the journalist becomes increasingly enchanted by the strange world of circus performers and his relationship with the trapeze artist deepens. The book explores themes of love, freedom, and the blurred lines between reality and illusion.

The novel follows the adventures of an eccentric, violent, and mentally unstable protagonist who is released from an asylum by his psychiatrist. The pair embark on a chaotic journey across Europe and America, encountering a variety of strange and often dangerous situations. The narrative explores themes of insanity, violence, and the human condition, offering a dark and surreal critique of modern society.

"The Clay Machine-gun" is a surreal and complex novel that explores the nature of reality and illusion. The story is set in post-Soviet Russia and follows a protagonist who has multiple identities, including a poet in 19th-century Russia, a 20th-century psychiatric patient, and a 21st-century advertising executive. The narrative moves between these identities and realities, blurring the lines between them and creating a layered and philosophical exploration of Russian society, identity, and the human psyche.

The book is a collection of absurdist short stories that reflect the author's unique take on the Soviet reality of his time. Through a series of bizarre and darkly humorous vignettes, the author explores themes of meaninglessness, the breakdown of logic, and the unpredictability of human existence. His characters often find themselves in surreal situations that defy conventional understanding, highlighting the author's fascination with the illogical and the nonsensical. The work serves as both a critique of the societal norms of the era and an example of the avant-garde literary movement to which the author belonged.