This novel explores the complex dynamics of the Pollit family, focusing on the relationship between the egotistical patriarch Sam and his idealistic daughter Louie. Set in Washington D.C. during the 1930s, the story provides a stark portrayal of a dysfunctional family, where Sam's delusional optimism and insensitivity clash with Louie's growing disillusionment and rebellion. The narrative delves into themes of family conflict, emotional abuse, and the struggle for individual identity within the confines of family expectations.

This satirical work is a critique of the practices of the Church and the wider social behavior of the time. Narrated by Folly, the female personification of foolishness, the book humorously criticizes various aspects of society such as superstitious religious practices, scholarly pedantry, and the excesses of the upper classes. The book is a bold critique of its time, using humor and irony to expose the follies of its society.

"Correction" is a complex narrative revolving around the life of a man named Roithamer, a genius obsessed with constructing an architectural masterpiece, the Cone, in the center of the Kobernausser forest. The story is told through the perspective of his friend who is reading Roithamer's notes after his suicide. The novel explores themes of obsession, isolation, and the pursuit of perfection, while also delving into the protagonist's troubled relationships with his family and society.

The book is a darkly introspective narrative that delves into the mind of a reclusive, obsessive intellectual who is struggling to complete his scholarly work on the composer Mendelssohn. As he grapples with his own ailments and the perceived mediocrity of his surroundings, the protagonist's stream-of-consciousness monologue reveals his deep-seated anxieties, self-loathing, and profound isolation. The narrative is a relentless examination of the protagonist's psyche, showcasing his critical view of society and his own personal relationships, which are fraught with tension and dysfunction. Through this, the novel explores themes of artistic creation, intellectual elitism, and the suffocating nature of expectations and familial obligations.

Woodcutters is a darkly humorous critique of Vienna's artistic elite. The story takes place over the course of a single evening, as the narrator attends a dinner party in honor of a recently successful actor. As the evening progresses, he reflects on the pretentiousness and hypocrisy of the guests, the mediocrity of their artistic achievements, and the tragic suicide of his former lover. The novel is a scathing indictment of the vanity and self-delusion of the artistic community.

"Max Havelaar" is a novel centered around a Dutch civil servant who is stationed in the Dutch East Indies (now Indonesia) during the mid-19th century. The protagonist, trying to battle the corruption and exploitation of the local people by Dutch colonial rulers, becomes disillusioned with the system. The novel provides a scathing critique of the colonial regime's treatment of the indigenous people, highlighting their suffering and exploitation. The author uses various narrative techniques and perspectives, making it a significant work in Dutch literature.

"Wittgenstein's Nephew" is a semi-autobiographical novel that explores the friendship between the narrator and his friend Paul, who is the nephew of the famous philosopher Ludwig Wittgenstein. The story takes place in Vienna and is set against the backdrop of the Austrian mental health system. The novel delves into themes of sanity, insanity, and the fine line that separates the two, while also offering a critique of Austrian society. It is a meditation on the nature of illness, both physical and mental, and the impact it has on personal relationships and one's perception of the world.

The novel is a sprawling tale of deception, magic, and family history, narrated by a 139-year-old Australian con artist. He recounts his life's adventures, from snake handling to aircraft manufacturing, while weaving in the stories of his descendants. The narrative is a blend of historical fiction and tall tales, exploring themes of national identity, truth, and the art of storytelling itself. Through the protagonist's unreliable narration, the book challenges the reader to discern fact from fiction, all while painting a vivid picture of Australian society and its transformation over the 20th century.

"Gimmick!" is a novel that explores the life of a young artist in the Amsterdam art scene during the 1980s. The protagonist is caught in a world of excess, parties, drugs, sex, and betrayal while trying to find his place and make a name for himself. The story delves into the struggles of artistic life, the lure of fame and the pitfalls of success, providing a raw and gritty depiction of the times.

This book is a provocative exploration of the dynamics of power and desire within the confines of a loveless marriage. Set against the backdrop of the Austrian Alps, it delves into the life of a woman trapped in a relationship with her abusive and unfaithful husband, a powerful paper mill owner. The narrative dissects the commodification of sex, the objectification of women, and the societal structures that perpetuate these themes. Through a stark and unflinching examination of the protagonist's degradation and the pervasive corruption in her world, the novel presents a scathing critique of consumerism, the patriarchy, and the hollow nature of modern relationships.

"The Last Days of Mankind" is a satirical play that provides a critical commentary on the socio-political climate during World War I. The narrative presents a stark portrayal of the absurdity of war and the destructive forces of propaganda, bureaucracy, and nationalism. The author uses a variety of literary techniques, including parody, satire, and direct quotes from contemporary sources, to highlight the folly and tragedy of war. The play is known for its unique style, rich language, and its profound critique of society and culture during a time of great upheaval and conflict.