Umberto Eco was an Italian medievalist, philosopher, semiotician, cultural critic, political and social commentator, and novelist. He is best known for his novel 'The Name of the Rose,' a historical mystery combining semiotics in fiction with biblical analysis, medieval studies, and literary theory. Eco's extensive work also includes other novels like 'Foucault's Pendulum,' academic texts, and essays. He was a professor at the University of Bologna and had a significant impact on contemporary culture and thought.
This list of books are ONLY the books that have been ranked on the lists that are aggregated on this site. This is not a comprehensive list of all books by this author.
Set in a wealthy Italian monastery in the 14th century, the novel follows a Franciscan friar and his young apprentice as they investigate a series of mysterious deaths within the monastery. As they navigate the labyrinthine library and decipher cryptic manuscripts, they uncover a complex plot involving forbidden books, secret societies, and the Inquisition. The novel is a blend of historical fiction, mystery, and philosophical exploration, delving into themes of truth, knowledge, and the power of the written word.
This novel follows three intellectual friends who work at a small publishing house. As a joke, they start inventing a conspiracy theory about a secret society that has been manipulating world events for centuries. However, as they delve deeper into their own fabrication, they begin to lose sight of what's real and what's not. Their lives take a dangerous turn when actual secret societies believe they hold the key to a universal secret and will stop at nothing to obtain it.
Set in the 12th century, the novel follows Baudolino, a self-proclaimed liar and adventurer, as he travels from his home in Italy to the mythical kingdom of Prester John. Along the way, he becomes embroiled in a series of political and religious intrigues, meets a variety of fantastical creatures, and tells a series of increasingly elaborate lies. The narrative is framed as a story Baudolino is telling to a Byzantine historian, adding another layer of unreliability to his already questionable narrative.