The narrative follows a man who, after the death of his mother, falls into a routine of indifference and emotional detachment, leading him to commit an act of violence on a sun-drenched beach. His subsequent trial becomes less about the act itself and more about his inability to conform to societal norms and expectations, ultimately exploring themes of existentialism, absurdism, and the human condition.

The novel is set in the Algerian city of Oran during the 1940s, where a deadly plague sweeps through, causing the city to be quarantined. The story is told through the eyes of a doctor who witnesses the horror and suffering caused by the disease. The narrative explores themes of human resilience, solidarity, and the struggle against the absurdities of life. It also examines how individuals and society respond to death and disease, creating a profound meditation on the nature of existence and human endurance.

This book is a philosophical essay that explores the concept of absurdity, and how individuals should respond to life's inherent meaninglessness. It posits that life is essentially absurd due to the conflict between our desire for understanding and the chaotic, indifferent universe. The author argues that the only proper response to this absurdity is to live life to its fullest, embracing and rebelling against the absurdity, rather than resorting to suicide or turning to religion or philosophy for false comfort. The story of Sisyphus, condemned to eternally roll a boulder up a hill only for it to roll back down, is used as a metaphor for the human condition.

The novel is narrated by a successful Parisian lawyer who has moved to Amsterdam after a crisis of conscience. He confesses his past misdeeds and moral failings to a stranger in a bar, revealing his growing self-loathing and disillusionment with the hypocrisy and shallowness of his former life. His confessions are a reflection on guilt, innocence, and the nature of human existence. The protagonist's fall from grace serves as a critique of modern society's moral failings and the individual's struggle with guilt and redemption.

"Death Sentence" is a philosophical novella that explores the themes of death, love, and the nature of narrative. The story is divided into two parts, each focusing on a different protagonist who is dealing with the impending death of a loved one. Through their experiences and internal monologues, the novel delves into the complexities of human emotions and the existential dread associated with mortality. The narrative is further complicated by the author's experimental writing style, which challenges traditional storytelling conventions and encourages readers to question their understanding of reality.

The novel is a surreal and satirical tale set in a bizarre town where the eccentric inhabitants live under the oppressive rule of a despotic and whimsical figure. The narrative follows the lives of the townspeople, who are subjected to absurd and often cruel whims that challenge their sanity and morality. As the story unfolds, the characters confront the absurdity of existence, the nature of love and desire, and the struggle for individual freedom against authoritarian control. The book combines elements of fantasy, dark humor, and existential philosophy, creating a unique and thought-provoking exploration of human nature and society.

"Selected Works" by Alfred Jarry is a compilation of the most significant writings from a French author known for his pioneering work in the Absurdist and Surrealist movements. The collection showcases a range of Jarry's literary output, including plays, essays, and novels, with his most famous character, Père Ubu, often taking center stage. Jarry's work is characterized by its satirical edge, inventive language, and the subversion of traditional literary forms. His influence extends beyond literature into the realms of theatre and the visual arts, where his ideas have continued to resonate with avant-garde movements throughout the 20th century and beyond.

The play revolves around the bizarre situation of a couple living with the growing corpse of the husband's friend, Amédée, in their apartment. As the body inexplicably continues to expand, it causes increasing inconvenience and absurdity in their lives. The husband, a failed playwright, and his wife struggle with their mundane existence, their inability to dispose of the corpse, and the surreal events that unfold. The narrative explores themes of stagnation, guilt, and the absurdity of life, as the couple's surreal predicament serves as a metaphor for the inescapable, often grotesque, complexities of the human condition.