"The Clay Machine-gun" is a surreal and complex novel that explores the nature of reality and illusion. The story is set in post-Soviet Russia and follows a protagonist who has multiple identities, including a poet in 19th-century Russia, a 20th-century psychiatric patient, and a 21st-century advertising executive. The narrative moves between these identities and realities, blurring the lines between them and creating a layered and philosophical exploration of Russian society, identity, and the human psyche.

"Happy Moscow" is a satirical novel set in the Soviet Union during the height of Stalinist rule, following the life of a young woman, Moscow Chestnova, who is named after the capital city. Despite the harsh realities of life under an authoritarian regime, she maintains a positive and optimistic outlook, symbolizing the Soviet Union's propaganda that promoted an image of a happy and prosperous society. The novel, through its characters and their experiences, explores the paradoxes and contradictions of the Soviet society, challenging the official narrative of happiness and prosperity.

"The Impenetrable Madam X" is a provocative play that delves into the complexities of human relationships and societal expectations. Set against a backdrop of surrealism and absurdity, the narrative follows the titular character, a woman shrouded in mystery and power, who interacts with various other characters in a series of disjointed scenes. Through sharp dialogue and symbolic interactions, the play explores themes of identity, power dynamics, and the struggle for understanding within the confines of a world that oscillates between the real and the fantastical. The work challenges audiences to question the nature of reality and the masks people wear in their daily lives.