"The Republic" is a philosophical text that explores the concepts of justice, order, and character within the context of a just city-state and a just individual. It presents the idea of a utopian society ruled by philosopher-kings, who are the most wise and just. The dialogue also delves into theories of education, the nature of reality, and the role of the philosopher in society. It is a fundamental work in Western philosophy and political theory.

"Oresteia" is a trilogy of Greek tragedies that tells the story of the House of Atreus. It begins with King Agamemnon's return from the Trojan War and his subsequent murder by his wife, Clytemnestra, and her lover, Aegisthus. The second play focuses on the revenge of their son, Orestes, who kills his mother and her lover to avenge his father's death. The final play deals with the trial of Orestes by the gods for the crime of matricide, resulting in his acquittal and the end of the curse on the House of Atreus. The trilogy explores themes of justice, vengeance, and the intervention of the gods in human affairs.

This philosophical work focuses on the concept of ethics, specifically virtue ethics, and how it relates to a person's character and happiness. The author argues that happiness is the highest good and the end goal of life, and that it is achieved not through pleasure, but through virtuous actions. The book also explores the nature of practical reasoning, the different kinds of virtues, the importance of friendship, and the role of luck in human welfare.

The "Corpus Aristotelicum" is a collection of texts by an ancient Greek philosopher, providing an extensive exploration of numerous fields of knowledge, such as metaphysics, ethics, logic, politics, biology, and poetry. These works have been instrumental in shaping Western philosophy and have had a profound influence on a wide range of subjects, including science, theology, and politics. The collection is known for its systematic and logical approach, and for its groundbreaking ideas that continue to stimulate intellectual discourse.

This ancient Greek comedy play revolves around two men who are fed up with the problems of human society and decide to create a utopian city in the clouds with the help of birds. Their city, 'Cloudcuckooland', becomes popular and attracts gods and humans alike, leading to a series of humorous and satirical events. The play is a satire on political and social life in Athens, poking fun at its democracy, bureaucracy, and warfare.

"The Clouds" is a satirical play that critiques the intellectual and moral corruption of Athenian society by focusing on a father-son relationship. The father, in an effort to evade debt, sends his son to a school of sophistry to learn the art of manipulating language and logic to win arguments. The story explores themes of education, morality, and the conflict between traditional and modern values. The play is well-known for its critical portrayal of Socrates as a sophist and its comedic elements.

In "Symposium", a group of notable men including philosophers, playwrights, and politicians gather at a banquet and decide to each give a speech in praise of the god of love. Each speech presents a different perspective on love, ranging from the purely physical to the spiritual. The dialogue culminates with the speech of Socrates, who presents a philosophical view of love as a means of ascending to contemplation of the divine.

This philosophical text is a dialogue of Socrates' defense in 399 BC against the charges of 'corrupting the young, and by not believing in the gods in whom the city believes, but in other daimonia that are novel.' The dialogue is Socrates' defense at his trial and is his final public statement before his execution. In it, he discusses the moral and philosophical justification for his actions and beliefs, ultimately leading to his conviction and death.

"Phaedo" is a philosophical dialogue that takes place in ancient Greece, where the main character, a philosopher, is awaiting his execution. The story is a discussion on the nature of the afterlife, the immortality of the soul, and the theory of forms. The philosopher argues that the soul is immortal and that we should not fear death. He also discusses his theory of forms, stating that the world we perceive is merely a shadow of the true world of forms. The dialogue ends with the philosopher calmly accepting his fate, illustrating his belief in the immortality of the soul.

"Crito" is a philosophical dialogue where the main character, a renowned philosopher, is in prison awaiting execution and is visited by his friend, Crito, who urges him to escape. The philosopher argues that since the laws of Athens have given him life, education, and many other benefits, it would be unjust for him to break those laws by escaping. The dialogue explores themes of justice, law, obligation, and the social contract.

"Euthyphro" is a philosophical dialogue that takes place in the weeks leading up to the trial of Socrates, where Socrates and Euthyphro engage in a conversation about the nature of piety. The dialogue begins with Socrates questioning Euthyphro about his decision to prosecute his own father for the murder of a slave. This leads to a discussion about what is considered holy and the nature of the gods. Despite their lengthy conversation, the two philosophers never arrive at a definitive answer, leaving the question of what constitutes true piety unresolved.

"The Knights" is a satirical comedy that delves into the political landscape of ancient Athens, critiquing the city's leadership through the allegory of a household. The play focuses on the conflict between a noble but dimwitted horseman and a cunning and manipulative sausage-seller, both vying for the favor of their master, who represents the Athenian people. The sausage-seller, with the help of the chorus of knights, ultimately triumphs, symbolizing the hope for a new and better leader. The work is a pointed commentary on the demagoguery and corruption of the time, using humor and absurdity to explore themes of power, populism, and the responsibilities of citizenship.

Phaedrus is a Socratic dialogue that discusses topics such as love, the nature of the soul, and the art of rhetoric. The narrative begins with a myth about the chariot of the soul, then moves on to a discussion about the nature of love, particularly focusing on the concept of divine madness. The dialogue then transitions into a discussion about rhetoric and writing, debating the merits and pitfalls of both. The dialogue concludes with a critique of the art of rhetoric, arguing that true rhetoric must be based on truth and knowledge rather than manipulation and deceit.

In this ancient Greek comedy, the women of Athens, fed up with the mismanagement and corruption of male politicians, disguise themselves as men to take over the city's assembly. Once in power, they institute a series of radical reforms, including the communal sharing of wealth and property, and the requirement that the most attractive men must sleep with the ugliest women first to ensure fairness in love. The play satirizes gender roles, political life in Athens, and the utopian solutions to societal problems, all while delivering a humorous yet pointed critique of the effectiveness of democratic governance and the nature of power.

"The Frogs" is a classic comedic play that delves into the world of Greek mythology and literature. The story follows the god Dionysus as he descends into the underworld with his slave Xanthias. Dionysus seeks to bring back the recently deceased tragedian Euripides to save the city from its cultural decline. However, upon arrival, he finds himself amidst a heated debate between Euripides and Aeschylus, another deceased playwright, over who is the greatest tragedian. A competition ensues, judged by Hades, leading to a series of humorous critiques of their plays and styles. The play is a satirical examination of Athenian society and the role of art and culture, filled with witty dialogue and commentary on the nature of theater.

"De Anima" is a foundational philosophical treatise that explores the concept of the soul and its relation to the body. The work delves into the nature of life itself, categorizing different kinds of souls possessed by different kinds of living things, such as plants, animals, and humans. It discusses the faculties of the soul, including the nutritive, perceptive, and intellectual aspects, and investigates their functions and interactions. The treatise also examines issues of perception, cognition, and memory, arguing that the soul is the principle of life and the source of all vital functions, ultimately aiming to define the essence of life and the basis of all living activities.

"Memorabilia" is a collection of dialogues and personal reflections that capture the teachings and thoughts of the philosopher Socrates. Compiled by one of his disciples, the work defends Socrates against the accusations that led to his trial and execution, portraying him as a wise and ethical figure who sought to improve the lives of others through questioning and moral inquiry. Through various conversations with notable figures of his time, the text explores themes of justice, virtue, and the pursuit of good, providing a significant insight into Socratic philosophy and the intellectual milieu of ancient Athens.

"On The Crown" is a significant political oration by the ancient Athenian statesman and orator, delivered in 330 BC. The speech serves as a robust defense of the speaker's political career and policies, particularly focusing on his efforts to mobilize Athens against the imperial ambitions of Philip II of Macedon. It is also a rebuttal against accusations made by his political rival, who criticized his leadership and decisions. The oration is celebrated not only for its eloquent expression and persuasive rhetoric but also for its deep insight into the political dynamics of the time, highlighting themes of patriotism, justice, and civic duty in the face of external threats and internal discord.

"Selected Speeches" is a compilation of orations by one of ancient Greece's most renowned orators, Demosthenes. The collection, translated and edited by Robin Waterfield, showcases Demosthenes' eloquence and his passionate involvement in the political life of Athens. Through these speeches, readers gain insight into the complex social and political issues of the time, including the struggle against Macedonian influence under Philip II. The speeches not only highlight Demosthenes' rhetorical prowess but also reflect the dynamics of power and resistance in classical Athens, offering a window into the art of persuasion and the civic identity of the Athenians.