The novel is a semi-autobiographical work that explores the harsh realities of life through the cynical and disillusioned eyes of the protagonist. The narrative follows his experiences from the trenches of World War I, through the African jungles, to the streets of America and the slums of Paris, showcasing the horrors of war, colonialism, and the dark side of human nature. The protagonist's journey is marked by his struggle with despair, loneliness, and the absurdity of existence, offering a bleak yet profound commentary on the human condition.

"Petersburg" is a symbolist novel set in the heart of Russia during the 1905 Revolution. It follows the story of a young man who is given the task of assassinating his own father, a high-ranking government official, by a radical political group. The narrative is a complex mix of politics, family drama, and philosophical introspection, all set against the backdrop of a city in turmoil. The novel is renowned for its vivid and poetic descriptions of the city itself, making Petersburg as much a character in the story as the people who inhabit it.

"Death on Credit" is a semi-autobiographical novel that explores the life of a young Frenchman in Paris during the early 20th century. The protagonist, a medical student from a poor family, struggles with the harsh realities of life, including poverty, sickness, and death. The narrative is marked by its dark humor, cynicism, and scathing critique of society, reflecting the author's own experiences and views. The protagonist's journey is a constant struggle against the absurdity and despair of existence, depicted through a series of episodic adventures and misadventures.

"The Clay Machine-gun" is a surreal and complex novel that explores the nature of reality and illusion. The story is set in post-Soviet Russia and follows a protagonist who has multiple identities, including a poet in 19th-century Russia, a 20th-century psychiatric patient, and a 21st-century advertising executive. The narrative moves between these identities and realities, blurring the lines between them and creating a layered and philosophical exploration of Russian society, identity, and the human psyche.

"Happy Moscow" is a satirical novel set in the Soviet Union during the height of Stalinist rule, following the life of a young woman, Moscow Chestnova, who is named after the capital city. Despite the harsh realities of life under an authoritarian regime, she maintains a positive and optimistic outlook, symbolizing the Soviet Union's propaganda that promoted an image of a happy and prosperous society. The novel, through its characters and their experiences, explores the paradoxes and contradictions of the Soviet society, challenging the official narrative of happiness and prosperity.

The novel is a surreal and satirical tale set in a bizarre town where the eccentric inhabitants live under the oppressive rule of a despotic and whimsical figure. The narrative follows the lives of the townspeople, who are subjected to absurd and often cruel whims that challenge their sanity and morality. As the story unfolds, the characters confront the absurdity of existence, the nature of love and desire, and the struggle for individual freedom against authoritarian control. The book combines elements of fantasy, dark humor, and existential philosophy, creating a unique and thought-provoking exploration of human nature and society.

The book is a surreal and satirical novel set in the fictional desert of Exopotamie, where a group of eccentric characters, including archaeologists, a seductive woman, and a variety of misfits, converge to construct a railway that leads to nowhere. The narrative is characterized by absurdity and dark humor, as it explores themes of existentialism, the futility of human endeavors, and the chaos of life. The story's bizarre events and illogical occurrences reflect the author's critique of societal norms and the meaninglessness of modern existence, all while maintaining a playful and whimsical tone.

The novel is a playful and complex narrative that intertwines the stories of two characters living centuries apart: the medieval Duke of Auge as he goes on various adventures, and a modern-day Frenchman named Cidrolin who spends his days idly lounging on a barge moored on the Seine. The narrative switches back and forth between the two timelines with each chapter, employing a variety of literary styles and linguistic puns. The book is known for its experimental use of language, its humorous take on historical and contemporary life, and its exploration of themes such as time, identity, and the cyclical nature of existence.

This book is a collection of manifestos that serve as a seminal document in the history of the Dada movement, an avant-garde art movement of the early 20th century. The texts within are a blend of satire, polemic, and absurdity, reflecting the movement's disdain for the norms of bourgeois culture and traditional aesthetics. The author, a key figure in Dadaism, uses these manifestos to challenge concepts of art, literature, and politics, advocating for chaos and spontaneity over logic and reason. The work is both a philosophical treatise and a call to arms, encouraging the reader to question the status quo and embrace the liberating power of nonconformity and irrationality.

"Selected Works" by Alfred Jarry is a compilation of the most significant writings from a French author known for his pioneering work in the Absurdist and Surrealist movements. The collection showcases a range of Jarry's literary output, including plays, essays, and novels, with his most famous character, Père Ubu, often taking center stage. Jarry's work is characterized by its satirical edge, inventive language, and the subversion of traditional literary forms. His influence extends beyond literature into the realms of theatre and the visual arts, where his ideas have continued to resonate with avant-garde movements throughout the 20th century and beyond.