This novel is a blend of fiction, autobiography, and philosophical musings that explores the nature of forgetting, the power of laughter, and the struggle for personal and political freedom. Set against the backdrop of the political turmoil in Czechoslovakia in the 20th century, it follows the interconnected stories of various characters, including a man who is expelled from the Communist Party, a young woman in love with a man whose father was a political prisoner, and a couple who flee to America. Throughout, the book delves into the ways in which personal and collective memories shape identity and history.

The narrative centers around an elderly man who has spent his life compacting paper and books into bales in a decrepit cellar, using a hydraulic press. Despite the menial nature of his job, he has cultivated a deep love and profound knowledge for literature, philosophy, and art from the books that pass through his hands, many of which he rescues from destruction. The story is a poignant exploration of the power and resilience of the human spirit in the face of a dehumanizing, totalitarian regime, and a meditation on the enduring value of art and the written word. The protagonist's intellectual journey and his resistance to the oppressive forces around him serve as a metaphor for the survival of culture and individuality under oppressive conditions.

The book is a collection of absurdist short stories that reflect the author's unique take on the Soviet reality of his time. Through a series of bizarre and darkly humorous vignettes, the author explores themes of meaninglessness, the breakdown of logic, and the unpredictability of human existence. His characters often find themselves in surreal situations that defy conventional understanding, highlighting the author's fascination with the illogical and the nonsensical. The work serves as both a critique of the societal norms of the era and an example of the avant-garde literary movement to which the author belonged.

"The Suicide" is a darkly comedic play centered on a man who, overwhelmed by the absurdity and struggles of life under a repressive regime, contemplates ending his life. His intentions quickly become public, drawing the attention of various interest groups who seek to exploit his despair for their own ideological ends. Each group wants to make his death a statement for their cause, turning the man's personal crisis into a public spectacle. The play satirically explores themes of individual agency, societal pressures, and the manipulation of personal tragedies for political gain, ultimately questioning the value of life in a society that prioritizes propaganda and collective ideology over the individual.