"Labyrinths" is a collection of short stories and essays that explore complex themes of infinity, parallel universes, and the blurred lines between reality and illusion. The narratives often feature protagonists who are scholars or librarians, trapped in surreal, metaphysical landscapes. The author's unique writing style combines elements of magical realism, philosophy, and detective fiction, creating an intricate web of narratives that challenge the reader's perception of reality and fiction.

This avant-garde novel invites readers into a non-linear narrative that can be read in two different orders, following the life of Horacio Oliveira, an Argentine intellectual living in Paris with his lover, La Maga. The story explores philosophical and metaphysical themes, delving into the nature of reality and the human condition, while also examining the struggles of intellectual and emotional life. The second part of the novel takes place in Buenos Aires, where Horacio returns after La Maga disappears, and where he grapples with his past, his identity, and his place in the world.

In this metatheatrical play, six characters come to life and demand that a theater director tell their tragic story, which was left incomplete by their author. As the director and his actors interact with these characters, the boundaries between fiction and reality blur, leading to a philosophical exploration of the nature of human identity, the reliability of art, and the unreliability of perception. The characters' story, involving a complex web of familial relationships, adultery, and suicide, further complicates the narrative, challenging the audience's understanding of truth and illusion.

"Petersburg" is a symbolist novel set in the heart of Russia during the 1905 Revolution. It follows the story of a young man who is given the task of assassinating his own father, a high-ranking government official, by a radical political group. The narrative is a complex mix of politics, family drama, and philosophical introspection, all set against the backdrop of a city in turmoil. The novel is renowned for its vivid and poetic descriptions of the city itself, making Petersburg as much a character in the story as the people who inhabit it.

"Los Siete Locos" is a complex and dark novel set in the 1920s in Buenos Aires. The story revolves around a man who, disillusioned with his mundane life and the corruption he sees around him, becomes involved with a group of anarchists who plan to overthrow the government. The protagonist is drawn into a world of madness, conspiracy, and philosophical debate, as he grapples with his own sanity and the morality of his actions. The book explores themes of existentialism, societal decay, and the blurred line between sanity and insanity.

The book tells the story of a man who has his identity shattered when his wife casually notes that his nose tilts to the right, something he had never noticed before. This seemingly insignificant comment leads him into an obsessive quest to understand how he is perceived by others, and he gradually loses his sense of self as he fragments into a multitude of characters. The protagonist's existential crisis intensifies as he realizes that everyone he meets perceives him differently, leading him to question his own existence and ultimately, his sanity.

"The Clay Machine-gun" is a surreal and complex novel that explores the nature of reality and illusion. The story is set in post-Soviet Russia and follows a protagonist who has multiple identities, including a poet in 19th-century Russia, a 20th-century psychiatric patient, and a 21st-century advertising executive. The narrative moves between these identities and realities, blurring the lines between them and creating a layered and philosophical exploration of Russian society, identity, and the human psyche.

"Naked Masks" is a collection of five plays that delve into the complexities of human identity and the conflict between one's inner self and the roles imposed by society. The plays explore themes of madness, illusion, and existential uncertainty, often through characters who are caught in the tension between appearance and reality. The author uses the metaphor of the mask to represent the personas that individuals adopt in public, while questioning the nature of truth and the possibility of truly understanding oneself or others. The plays challenge audiences to consider the fluidity of identity and the performative aspects of everyday life.