"Nights at the Circus" is a fantastical tale set in the late 19th century, centering around a trapeze artist who claims to be a swan princess with wings. A journalist is intrigued by her story and joins the circus to uncover the truth. As the troupe travels from London to Siberia, the journalist becomes increasingly enchanted by the strange world of circus performers and his relationship with the trapeze artist deepens. The book explores themes of love, freedom, and the blurred lines between reality and illusion.

The book follows a renowned pianist who arrives in a Central European city to give a concert. However, his time there becomes increasingly surreal and disjointed as he is pulled in different directions by the demands of the locals, his own past, and his responsibilities. The narrative explores themes of memory, time, and self-delusion, creating a dream-like atmosphere that blurs the lines between reality and illusion.

The novel is a phantasmagorical journey through a world where reality is under siege by the diabolical machinations of a mad scientist who has unleashed desire machines that warp perception and desire. The protagonist, Desiderio, an employee of the Ministry of Determination, embarks on a quest to stop Doctor Hoffman, confronting a series of bizarre and surreal challenges that blend eroticism, philosophy, and violence. As Desiderio travels through cities and landscapes transformed by the machines, he encounters a cast of eccentric characters and experiences dreamlike adventures that challenge the boundaries of reality, identity, and sanity, culminating in a confrontation with the enigmatic Doctor and the resolution of his own complex relationship with Hoffman's daughter.

This book is a collection of interconnected stories that explore the effects of media and technology on modern psychology and human behavior. The narrative centers around a psychiatrist who, after a mental breakdown, becomes fixated on the idea that there is a deeper, more abstract reality beneath the surface of everyday life. He obsessively analyzes cultural events, car crashes, and sexual encounters as he attempts to deconstruct the world into a series of conceptual, almost fetishized images. The work challenges the boundaries between sanity and madness, reality and simulation, in a fragmented, non-linear style that mirrors the disjointed nature of the protagonist's psyche and the chaotic society he is attempting to dissect.

The book follows the life of Lisa Erdman, a half-Jewish opera singer, through her erotic fantasies, her analysis with Sigmund Freud, her subsequent life in pre-war Vienna, and her eventual death in a Nazi concentration camp. The narrative is presented in a variety of styles, including erotic poetry, Freud's case study, third-person narrative, and a surrealistic opera libretto. The novel explores themes of sexuality, psychoanalysis, and the human capacity for evil and destruction.