"Petersburg" is a symbolist novel set in the heart of Russia during the 1905 Revolution. It follows the story of a young man who is given the task of assassinating his own father, a high-ranking government official, by a radical political group. The narrative is a complex mix of politics, family drama, and philosophical introspection, all set against the backdrop of a city in turmoil. The novel is renowned for its vivid and poetic descriptions of the city itself, making Petersburg as much a character in the story as the people who inhabit it.

"The Clay Machine-gun" is a surreal and complex novel that explores the nature of reality and illusion. The story is set in post-Soviet Russia and follows a protagonist who has multiple identities, including a poet in 19th-century Russia, a 20th-century psychiatric patient, and a 21st-century advertising executive. The narrative moves between these identities and realities, blurring the lines between them and creating a layered and philosophical exploration of Russian society, identity, and the human psyche.

"Happy Moscow" is a satirical novel set in the Soviet Union during the height of Stalinist rule, following the life of a young woman, Moscow Chestnova, who is named after the capital city. Despite the harsh realities of life under an authoritarian regime, she maintains a positive and optimistic outlook, symbolizing the Soviet Union's propaganda that promoted an image of a happy and prosperous society. The novel, through its characters and their experiences, explores the paradoxes and contradictions of the Soviet society, challenging the official narrative of happiness and prosperity.