"Correction" is a complex narrative revolving around the life of a man named Roithamer, a genius obsessed with constructing an architectural masterpiece, the Cone, in the center of the Kobernausser forest. The story is told through the perspective of his friend who is reading Roithamer's notes after his suicide. The novel explores themes of obsession, isolation, and the pursuit of perfection, while also delving into the protagonist's troubled relationships with his family and society.

The book is a darkly introspective narrative that delves into the mind of a reclusive, obsessive intellectual who is struggling to complete his scholarly work on the composer Mendelssohn. As he grapples with his own ailments and the perceived mediocrity of his surroundings, the protagonist's stream-of-consciousness monologue reveals his deep-seated anxieties, self-loathing, and profound isolation. The narrative is a relentless examination of the protagonist's psyche, showcasing his critical view of society and his own personal relationships, which are fraught with tension and dysfunction. Through this, the novel explores themes of artistic creation, intellectual elitism, and the suffocating nature of expectations and familial obligations.

Woodcutters is a darkly humorous critique of Vienna's artistic elite. The story takes place over the course of a single evening, as the narrator attends a dinner party in honor of a recently successful actor. As the evening progresses, he reflects on the pretentiousness and hypocrisy of the guests, the mediocrity of their artistic achievements, and the tragic suicide of his former lover. The novel is a scathing indictment of the vanity and self-delusion of the artistic community.

"Wittgenstein's Nephew" is a semi-autobiographical novel that explores the friendship between the narrator and his friend Paul, who is the nephew of the famous philosopher Ludwig Wittgenstein. The story takes place in Vienna and is set against the backdrop of the Austrian mental health system. The novel delves into themes of sanity, insanity, and the fine line that separates the two, while also offering a critique of Austrian society. It is a meditation on the nature of illness, both physical and mental, and the impact it has on personal relationships and one's perception of the world.

This book is a provocative exploration of the dynamics of power and desire within the confines of a loveless marriage. Set against the backdrop of the Austrian Alps, it delves into the life of a woman trapped in a relationship with her abusive and unfaithful husband, a powerful paper mill owner. The narrative dissects the commodification of sex, the objectification of women, and the societal structures that perpetuate these themes. Through a stark and unflinching examination of the protagonist's degradation and the pervasive corruption in her world, the novel presents a scathing critique of consumerism, the patriarchy, and the hollow nature of modern relationships.

"The Last Days of Mankind" is a satirical play that provides a critical commentary on the socio-political climate during World War I. The narrative presents a stark portrayal of the absurdity of war and the destructive forces of propaganda, bureaucracy, and nationalism. The author uses a variety of literary techniques, including parody, satire, and direct quotes from contemporary sources, to highlight the folly and tragedy of war. The play is known for its unique style, rich language, and its profound critique of society and culture during a time of great upheaval and conflict.

The novel follows the life of a Toronto doctor who uses his knowledge of medicine and his understanding of human nature to treat his patients. He believes in the healing power of the human spirit and often uses unconventional methods to treat his patients. The narrative is filled with his interesting patients and their stories, as well as his own personal journey. The book also explores themes of spirituality, love, and the complexities of human nature.

This novel is a sprawling epic that traces the multi-generational saga of the Gursky family, rumored to have been inspired by the real-life Bronfman dynasty, Canadian liquor magnates. At its core, it follows the enigmatic figure of Solomon Gursky, whose life is shrouded in myth and mystery, from his forebears' escape from Jewish persecution in Europe to his own adventures in the Arctic, and the eventual establishment of a powerful business empire in North America. Through the eyes of Moses Berger, a writer obsessed with uncovering the truth about Solomon, the narrative delves into themes of identity, legacy, and the complexities of the human condition, all set against the backdrop of Canada's development and cultural history.

The novel revolves around a Canadian filmmaker living in London, grappling with a midlife crisis, a complex web of familial relationships, and the burden of his cultural identity. As he navigates through personal and professional challenges, he is haunted by the figure of the "Horseman," a symbol of moral judgment and a reminder of his own shortcomings. The protagonist's journey is interwoven with flashbacks to his childhood in Montreal, where the influence of his larger-than-life cousin and the vibrant Jewish community of St. Urbain Street shape his worldview. The narrative explores themes of guilt, the search for redemption, and the struggle to reconcile one's ambitions with the expectations of society and family.

The book is a memoir that blends fact with fiction, offering a comedic and surreal account of the life of a well-known comedian and former "Saturday Night Live" cast member. It delves into his upbringing in Canada, his rise to fame, and his experiences in the world of comedy, all while playing fast and loose with the truth. The narrative is filled with the author's trademark wit and deadpan humor, as he recounts stories of gambling, the pitfalls of celebrity, and his own unique perspective on life, often questioning the nature of storytelling and the reliability of memory itself.