"The Clay Machine-gun" is a surreal and complex novel that explores the nature of reality and illusion. The story is set in post-Soviet Russia and follows a protagonist who has multiple identities, including a poet in 19th-century Russia, a 20th-century psychiatric patient, and a 21st-century advertising executive. The narrative moves between these identities and realities, blurring the lines between them and creating a layered and philosophical exploration of Russian society, identity, and the human psyche.

"Happy Moscow" is a satirical novel set in the Soviet Union during the height of Stalinist rule, following the life of a young woman, Moscow Chestnova, who is named after the capital city. Despite the harsh realities of life under an authoritarian regime, she maintains a positive and optimistic outlook, symbolizing the Soviet Union's propaganda that promoted an image of a happy and prosperous society. The novel, through its characters and their experiences, explores the paradoxes and contradictions of the Soviet society, challenging the official narrative of happiness and prosperity.

"The Good Life Elsewhere" is a darkly humorous and satirical novel that follows a group of Moldovan villagers who embark on a chaotic journey to Italy in search of a better life. Through their misadventures, the author exposes the harsh realities of poverty, corruption, and the desperate measures people are willing to take in pursuit of a brighter future. With a blend of absurdity and poignant social commentary, the novel offers a compelling exploration of the human condition and the universal desire for a better life.

"Nervous People And Other Satires" is a collection of satirical short stories that offer a humorous yet poignant commentary on the absurdities and contradictions of life in post-revolutionary Russia. Through the lens of ordinary citizens grappling with the new social order, the book skewers the bureaucracy, hypocrisy, and scarcity that characterized the era. The author employs a simple, conversational style and a sense of irony to expose the foibles of human nature and the complexities of adapting to a rapidly changing society, revealing the nervousness and confusion of a population caught between the promises of communism and the realities of everyday life.