The play is a satirical comedy that centers around Argan, a hypochondriac who obsesses over his health and squanders his fortune on unnecessary medical treatments. His ailment is exploited by charlatan doctors and a greedy wife, while his daughter's marital future hangs in the balance due to his misguided intentions. The story unfolds with a clever servant, Toinette, and Argan's brother, Béralde, attempting to open his eyes to the truth of his condition and the deceit around him. Through a series of humorous events, including a mock ceremony, the play critiques the medical profession and the foolishness of those who blindly follow it, ultimately advocating for common sense and true familial love.

"Rameau's Nephew" is a philosophical dialogue that explores themes of morality, societal norms, and the nature of genius. The story revolves around a conversation between a philosopher and a character who is the nephew of a famous musician. The nephew, a freeloader and a parasite, defends his lifestyle by arguing that it is not only acceptable but also necessary in a society where wealth and power determine value. The dialogue delves into the contradictions and ironies of social conventions, challenging traditional notions of virtue, vice, and human nature.

This book is a compilation of the works of a renowned 17th-century French playwright, who is often considered one of the greatest masters of comedy in Western literature. His plays are known for their satirical examination of social norms and human folly, featuring a range of characters from the foolish and the pedantic to the hypocritical and the corrupt. Some of his most famous works included in this collection are "Tartuffe," "The Misanthrope," and "The Imaginary Invalid."

"King Ubu" is a satirical play that centers around the grotesque and absurd character, Père Ubu, who is manipulated by his ambitious wife to seize power in Poland. Once king, Ubu's reign is marked by greed, cruelty, and incompetence, leading to chaos and violence. The play employs absurdity and farce to critique power and corruption, using exaggerated characters and surreal scenarios to highlight the folly and destructiveness of tyrannical rule. This pioneering work is often considered a precursor to the Theatre of the Absurd and has had a lasting influence on avant-garde theatre.

This comedic play revolves around a middle-class man who aspires to elevate his social status and become a gentleman. He hires teachers to educate him in the arts, language, and manners of the upper class, but his lack of understanding and pretentious behavior only makes him look foolish. His obsession with his newly acquired 'gentleman' status strains his relationship with his sensible wife and daughter, and leads to a series of humorous and satirical incidents that mock the pretensions and hypocrisy of the society.

"The Miser" is a comedic play that revolves around a wealthy man who is so obsessed with his money that he neglects his own children. His son and daughter, both in love with people they cannot afford to marry due to their father's stinginess, scheme to trick him out of his wealth. The play satirizes the greed and hypocrisy of the upper class, while exploring themes of love, deception, and the value of money.

"The School for Wives" is a comedic play about a man who attempts to groom a young woman to be his perfect, obedient wife. However, his plans are thwarted when the young woman falls in love with another man. The play satirizes societal norms around marriage, highlighting the absurdity of controlling relationships and the importance of love and mutual respect.

"School for Husbands" is a comedic play that delves into the themes of love, marriage, and the contrasting approaches to spousal control. The narrative centers around two brothers with opposing views on how to treat their respective wards, whom they intend to marry. The older brother advocates for strictness and authority, keeping a tight rein on his young ward, while the younger brother espouses freedom and trust in his own. As the story unfolds, the characters engage in a series of humorous and revealing situations that challenge their beliefs about relationships and ultimately lead to a conclusion that favors liberality over rigidity, suggesting that love cannot be forced or controlled, but rather should be nurtured with understanding and freedom.

The play is a satirical comedy that pokes fun at the pretentiousness and affectations of the intellectual and social elite of the time. It centers around two young men who, in their pursuit of love, find themselves entangled with a group of affected women who are obsessed with the finer points of literary and social etiquette. The men must navigate through the absurdities of these self-proclaimed "precieuses" (precious ones), whose ludicrous behavior and exaggerated mannerisms are both mocked and exposed as ridiculous. The work is a humorous critique of the artificialities of certain social circles and the lengths to which people will go to appear more sophisticated than they truly are.

The book is a classic farce set in the 19th century, revolving around the chaos that ensues when a horse belonging to a nervous groom on his wedding day eats a lady's straw hat. The hat turns out to be a critical piece of evidence in a clandestine relationship, leading to a series of comedic misunderstandings and cover-ups. As the groom attempts to replace the hat to avoid scandal and ensure his nuptials proceed, he becomes entangled in a web of lies and slapstick humor, reflecting the societal norms and pretensions of the time.