In this novel, the protagonist, a young, ordinary man, visits his cousin at a tuberculosis sanatorium in the Swiss Alps. Intending to stay for only a few weeks, he ends up remaining there for seven years, becoming a patient himself. The book explores his experiences and relationships with other patients and staff, delving into philosophical discussions on life, time, and the nature of disease. It also provides a vivid portrayal of the European society and intellectual life on the eve of World War I.

The novel tells the story of Oskar Matzerath, a boy who decides on his third birthday that he will stop growing and remain a three-year-old forever. Oskar is gifted with a tin drum by his mother, which he uses to express his emotions and thoughts. Living in Danzig during the rise of Nazi Germany, Oskar's refusal to grow is a form of protest against the adult world. The book is a blend of magical realism and historical fiction, providing a unique perspective on the horrors of World War II and the post-war era in Germany.

The novel presents a poignant exploration of a man's struggle with his dual nature. The protagonist, a middle-aged man, finds himself torn between his humanistic, intellectual tendencies and his more primitive, wolf-like instincts. As he navigates his way through the surreal and sometimes hallucinatory world, he encounters various characters who challenge his views and push him towards self-discovery and transformation. The narrative delves into themes of alienation, the subconscious mind, and the search for meaning in life.

The novel is a reimagining of the Faust legend set in the context of the first half of the 20th century and the turmoil of Germany in that period. It tells the story of a composer who makes a pact with the devil, exchanging his soul for unlimited creative genius. The protagonist's life and work reflect the cultural and political journey of Germany leading up to World War II, providing a deep exploration of the individual's role in a society undergoing dramatic change. The novel is also a profound meditation on the nature of time, the art and the artist, and the destructiveness of human ambition.

This philosophical novel explores the idea of the Übermensch, or "Overman," a superior human being who has achieved self-mastery and created personal meaning in life. The protagonist, Zarathustra, descends from his solitary life in the mountains to share his wisdom with humanity. Through a series of speeches and encounters, he challenges traditional beliefs about good, evil, truth, and religion, and advocates for the transcendence of man into a higher form of existence. The book is noted for its critique of morality, its poetic and often cryptic language, and its exploration of complex philosophical concepts.

Set in the 23rd century, the novel revolves around a highly intellectual game, the Glass Bead Game, which incorporates all fields of human and cosmic knowledge. The story follows the life of Joseph Knecht, a scholar who becomes a Magister Ludi (Master of the Game). The book explores his life and thoughts, including his relationships with others and his questioning of the values of his society. The narrative is a profound exploration of human life, knowledge, and spirituality.

"Death in Venice" is a novella that explores the life of Gustav von Aschenbach, a famous writer in his early fifties who embarks on a journey to Venice after experiencing a creative block. In Venice, he becomes obsessed with a beautiful Polish boy named Tadzio, whom he sees at the hotel where he is staying. Aschenbach's fascination with Tadzio becomes a metaphor for his own internal struggle with his repressed passions and his need for aesthetic beauty. The story culminates in Aschenbach's death as a cholera epidemic sweeps through Venice. His demise symbolizes the destructive power of his unfulfilled longing and his ultimate surrender to his repressed desires.

The novel follows the life of a young man, Emil Sinclair, from childhood to adulthood, as he navigates the duality of his nature and the societal expectations of his time. He is influenced by a charismatic and intellectual peer, Max Demian, who introduces him to the concept of the world not as a dichotomy of good and evil, but as a unified whole. This leads Sinclair on a journey of self-discovery and spiritual enlightenment, exploring themes of identity, morality, and the subconscious. The narrative is heavily influenced by the philosophies of Carl Jung and the Gnostic tradition.