This novel is a semi-autobiographical account of the author's experiences in 1930s Berlin. The protagonist, a young Englishman, observes and documents the lives of a wide range of characters, from the working class to the upper class, all against the backdrop of the rising Nazi regime. The book offers a vivid and poignant portrayal of Berlin and its inhabitants during a time of great political and social upheaval.

The play is a comedic and intellectual romp through Zurich during World War I, where the lives of historical figures like the Dadaist Tristan Tzara, the novelist James Joyce, and the communist revolutionary Lenin intersect through the unreliable memories of British consular official Henry Carr. The narrative is a playful, non-linear exploration of art, politics, and the nature of memory, blending slapstick humor with sharp wit and literary allusions. The work challenges the audience to consider the role of the artist in society and the impact of political upheaval on cultural expression, all while questioning the reliability of history and the very nature of truth itself.

The book presents a philosophical and introspective analysis of the classic literary character Don Quixote, delving into the existential and moral dimensions of his adventures. The author reflects on the nature of reality, the importance of ideals, and the interplay between sanity and madness, arguing that Quixote's chivalric quests and his refusal to concede to the limitations of his mundane world embody a profound and heroic affirmation of human imagination and spirit. Through this exploration, the work becomes a meditation on the human condition and the enduring power of fiction to inspire and give life meaning.