This novel is a first-person account of a young man who leaves his privileged life to enroll at a school for servants in Berlin. The protagonist's observations and experiences in the school, his interactions with the headmaster and other students, and his internal struggles and reflections form the crux of the story. The narrative, imbued with irony and dark humor, explores themes of power, submission, individuality, and the absurdity of societal norms and expectations.

The book follows a renowned pianist who arrives in a Central European city to give a concert. However, his time there becomes increasingly surreal and disjointed as he is pulled in different directions by the demands of the locals, his own past, and his responsibilities. The narrative explores themes of memory, time, and self-delusion, creating a dream-like atmosphere that blurs the lines between reality and illusion.

The novel follows the adventures of an eccentric, violent, and mentally unstable protagonist who is released from an asylum by his psychiatrist. The pair embark on a chaotic journey across Europe and America, encountering a variety of strange and often dangerous situations. The narrative explores themes of insanity, violence, and the human condition, offering a dark and surreal critique of modern society.

The play is a comedic and intellectual romp through Zurich during World War I, where the lives of historical figures like the Dadaist Tristan Tzara, the novelist James Joyce, and the communist revolutionary Lenin intersect through the unreliable memories of British consular official Henry Carr. The narrative is a playful, non-linear exploration of art, politics, and the nature of memory, blending slapstick humor with sharp wit and literary allusions. The work challenges the audience to consider the role of the artist in society and the impact of political upheaval on cultural expression, all while questioning the reliability of history and the very nature of truth itself.