"A Streetcar Named Desire" is a classic American play that explores themes of desire, desperation, and decay through the story of Blanche DuBois, a former schoolteacher from a once-wealthy Southern family who moves in with her sister Stella and her brutish husband Stanley in their cramped apartment in New Orleans. As Blanche grapples with her own past traumas and the harsh realities of her present situation, her mental state deteriorates, leading to a tragic end. The play presents a stark contrast between the genteel Old South and the gritty, working-class reality of post-WWII America.

"Long Day's Journey Into Night" is a semi-autobiographical play that explores the complex dynamics of a family tormented by addiction and regret. The narrative follows the Tyrone family, composed of two parents and their two adult sons, over the course of a single day. As the day progresses, the family members engage in soul-baring conversations that reveal their individual struggles with alcohol and drug addiction, their deep-seated resentments, and the love that binds them together despite their flaws. The play is a poignant examination of the human condition, familial bonds, and the destructive power of addiction.

This classic play explores the life of a failing salesman who, in his quest for the American Dream, struggles with his relationships and his own sense of reality. The protagonist's life spirals into despair as he grapples with his unfulfilled ambitions, strained family dynamics, and ultimately, his own mortality. The narrative delves deep into the themes of identity, illusion, and the destructive nature of the American Dream.

Set during the Salem Witch Trials in the late 17th century, this play explores the hysteria, deceit, and religious extremism that plague a small Puritan village in Massachusetts. The protagonist, a flawed but essentially good man, is caught in a web of accusations when young girls in the town start displaying strange behavior and accusing others of witchcraft. The ensuing trials reveal not only the dangers of mass hysteria and false accusations, but also the destructive power of societal pressures and the human capacity for both cruelty and heroism.

"Mourning Becomes Electra" is a trilogy of plays that retells the Oresteia story of the House of Atreus in a modern American setting. The narrative explores the themes of revenge, obsession, and guilt within the Mannon family, who are haunted by a dark, cursed past. The plot follows the aftermath of the American Civil War, with the characters struggling to escape their tragic fate, ultimately leading to their downfall.

"The Iceman Cometh" is a play set in a New York City bar in 1912, featuring a group of down-and-out alcoholics who spend their days in a state of drunken stupor, telling tall tales and dreaming of better futures. The arrival of a former patron, now sober, disrupts their routine as he insists on forcing them to face the harsh realities of their lives and abandon their delusions. The play is a poignant exploration of despair, disillusionment, and the human capacity for self-deception.

"Death And The King's Horsemen" is a powerful play set in Nigeria during the colonial era. It explores the clash between traditional African beliefs and the influence of Western culture. The story follows the tragic consequences that unfold when a British colonial officer tries to prevent the ritual suicide of the king's horseman, who is duty-bound to accompany his deceased king to the afterlife. The play delves into themes of cultural identity, the clash of civilizations, and the consequences of interfering with sacred traditions.

"Three Tragedies" is a collection of dramatic works that delve into the depths of human emotion, exploring themes of love, oppression, and fate within the cultural tapestry of Spain. The plays are renowned for their poetic language, symbolic imagery, and intense emotional impact, as they portray the struggles of individuals against the rigid societal norms and expectations that ultimately lead to their downfall. The characters, often women, grapple with issues of identity, passion, and the inexorable march towards tragedy, revealing the playwright's fascination with the intersection of personal desire and the inescapable forces of destiny.