The book is a seminal work in Yiddish literature and folklore, centering around the concept of a dybbuk—a malicious possessing spirit from Jewish mythology. The narrative follows the tragic tale of a young bride in a Polish shtetl who becomes possessed by the restless spirit of her dead lover, who had been wronged by his own father and her father's broken pledge. The possession leads to a dramatic exorcism and a series of events that explore themes of love, betrayal, and the clash between the mystical and the rational, as well as the boundaries of life and death. The story delves into the rich tapestry of Jewish mysticism, community, and tradition, reflecting the cultural and religious tensions of Eastern European Jews before the First World War.

The play delves into the dark and mysterious world of a young student who, after a chance encounter, becomes entangled in the lives of the residents of a haunted house. As he becomes more involved, he is exposed to the deceit, betrayal, and moral decay that lie beneath the surface of the seemingly respectable household. The narrative unfolds through a series of surreal and ghostly events, revealing the psychological and existential struggles of the characters as they grapple with their past sins, illusions of love, and the search for redemption and truth in a world filled with secrets and specters.

"Happy Days" is a play that revolves around the life of Winnie, a middle-aged woman who is buried up to her waist in a mound of earth, with her situation worsening in the second act as she becomes buried up to her neck. Despite her predicament, Winnie maintains a sense of optimism and routine, often reminiscing about the past and engaging in one-sided conversations with her taciturn husband, Willie, who is largely invisible offstage. The play delves into themes of human resilience, the passage of time, and the search for meaning in the face of an absurd and unchanging predicament, with Winnie's relentless cheerfulness contrasted against the bleak and inexplicable situation she finds herself in.

"The Dance of Death" is a darkly comedic play that delves into the tumultuous and decaying marriage of Edgar and Alice, an aging military captain and his wife, who are living in an isolated fortress. As they engage in psychological warfare, their toxic relationship is laid bare, revealing deep-seated resentment, bitterness, and a twisted dependency on one another. The arrival of Kurt, Alice's cousin, further intensifies the situation, as old wounds are reopened and the characters are forced to confront the reality of their lives and the destructive nature of their bond. The play is a stark exploration of marital strife, the human condition, and the intricate and often destructive dance that is human relationships.

In the play, the audience is taken on a surreal journey through the dreamlike experiences of the daughter of a god who descends to Earth to better understand human suffering. The narrative defies conventional time and space, weaving together a series of disjointed scenes that reflect the illogical and fluid nature of dreams. The characters she encounters are trapped in their own cycles of misery, their lives marked by frustration, disappointment, and the futility of their pursuits. The dreamer navigates this shifting landscape, attempting to find meaning and compassion within the chaos, ultimately revealing the universal struggles of the human condition.