"The Cherry Orchard" is a classic play about an aristocratic Russian woman and her family as they return to their family estate, which includes a large and well-known cherry orchard. The family is on the brink of financial ruin and the estate is slated to be auctioned off. Despite various attempts to save their beloved home and orchard, they are ultimately unable to prevent the sale. The play is a poignant reflection on the changing social order and the decline of the aristocracy in Russia at the turn of the 20th century.

"Three Sisters" is a play that revolves around the lives of three sisters, Olga, Masha, and Irina, who live in a provincial Russian town and yearn for their former life in Moscow. The story explores their relationships, dreams, and disappointments, as well as their interactions with the military officers stationed nearby. The narrative is a poignant exploration of love, loss, and the relentless passage of time, highlighting the human struggle for meaning and happiness.

Set against the backdrop of the Thirty Years' War, the book tells the story of a canteen woman, Mother Courage, who pulls her cart with her three children across war-torn Europe. It explores her struggles and survival tactics as she tries to profit from the war while keeping her children safe. The narrative is a profound critique of war and its consequences, highlighting the human cost of conflict and the often futile search for prosperity and security in a chaotic world.

"The Resistible Rise of Arturo Ui" is a satirical play that uses the rise of a fictional 1930s Chicago mobster, Arturo Ui, to parallel the rise of Adolf Hitler in Nazi Germany. The narrative is a critique of those who allowed Hitler to come to power, emphasizing that his rise was indeed resistible. The play explores themes of power, corruption, manipulation, and the dangers of complacency, showcasing the destructive potential of unchecked ambition and the failure of society to prevent the ascent of dangerous individuals.

This play delves into the life of the renowned Italian scientist, Galileo Galilei, who challenged the church's belief in a geocentric universe. It explores his struggles against the Catholic Church, his recantation, and the consequences of his actions on his life and those around him. The narrative also examines the conflict between science and religion, the ethics of scientific discovery, and the price of truth.

The play is a parable set in the Soviet Union that explores themes of justice, class struggle, and morality through the story of Grusha, a servant girl who risks her life to protect an abandoned child of noble birth during a time of revolution. As the child grows, a dispute over his custody arises, leading to a trial presided over by a wily, unconventional judge named Azdak. The trial's resolution hinges on the titular chalk circle test, which ultimately reveals the true nature of parental love and the importance of putting the needs of the child first. The narrative is a commentary on the social and political issues of the time, advocating for a society that prioritizes the welfare of its most vulnerable members.

The book is a stark depiction of the lives of the impoverished and dispossessed at the bottom of the Russian social ladder in the early 20th century. Set in a squalid shelter, it presents a group of destitute individuals from various backgrounds—thieves, prostitutes, and the down-and-out—who share their stories and philosophies as they grapple with the harsh realities of poverty and survival. The narrative delves into themes of human suffering, the struggle for dignity, and the elusive nature of truth, offering a grim commentary on the social conditions of the time and the human condition itself.

"The Good Person of Szechwan" is a parable play that explores the difficulty of maintaining one's morals and goodness in a corrupt and exploitative world. The story revolves around a kind-hearted prostitute who struggles to be a good person under the harsh realities of life in Szechwan. When three gods visit the city in search of a good person, they find only her willing to help them. However, to survive, she must adopt a ruthless alter ego, leading to a complex exploration of morality, identity, and societal pressures.

"The Blood Knot" is a powerful play that explores the complex relationship between two half-brothers, Morris and Zachariah, who live together in a small shack in apartheid-era South Africa. Morris, who is light-skinned, dreams of escaping their impoverished life, while Zachariah, who is dark-skinned, is content with their routine. As tensions rise and their differences become more apparent, the brothers navigate themes of identity, race, and the limitations imposed by society, ultimately leading to a shocking and heartbreaking climax.

The book is a seminal work in Yiddish literature and folklore, centering around the concept of a dybbuk—a malicious possessing spirit from Jewish mythology. The narrative follows the tragic tale of a young bride in a Polish shtetl who becomes possessed by the restless spirit of her dead lover, who had been wronged by his own father and her father's broken pledge. The possession leads to a dramatic exorcism and a series of events that explore themes of love, betrayal, and the clash between the mystical and the rational, as well as the boundaries of life and death. The story delves into the rich tapestry of Jewish mysticism, community, and tradition, reflecting the cultural and religious tensions of Eastern European Jews before the First World War.

The book presents a reimagining of the character of Judas Iscariot, traditionally known as the betrayer of Jesus Christ. It delves into the psychological and moral complexities of Judas, exploring his inner turmoil, motivations, and the factors that may have led him to commit the act of betrayal. The narrative seeks to humanize Judas, offering a nuanced perspective that challenges the conventional vilification he has received throughout history. Through this character study, the book examines themes of guilt, redemption, and the nature of evil, ultimately raising questions about free will and the role of individuals within the grander schemes of destiny and divine plans.

The play takes place in South Africa during the era of apartheid and revolves around the complex relationship between a young white boy and two black men who work in his mother's tea room. The boy has grown up with these men and shares a close bond with them, but as he struggles with personal turmoil and the pressures of the racist society around him, he begins to assert his racial superiority, leading to a devastating display of discrimination and the shattering of their familial relationship. The narrative explores themes of racism, human dignity, and the impact of societal injustice on personal relationships.

The play is a dramatic exploration of power, class struggle, and human suffering set within the confines of an insane asylum in 1808 France. It depicts the Marquis de Sade as an inmate directing his fellow patients in a play about the assassination of Jean-Paul Marat, a radical journalist and politician during the French Revolution. The work delves into the philosophical and political debates between Sade and Marat, representing differing views on revolution, freedom, and the nature of humanity. As the inmates perform, the line between performance and reality blurs, creating a provocative and chaotic theater experience that challenges the audience's perception of madness and reason.

This play explores the harsh realities of apartheid in South Africa through the story of a black man who adopts a dead man's identity to improve his prospects. After being forced to leave his home in King William's Town due to restrictive work laws, he assumes the name and papers of a dead man named Sizwe Bansi, effectively erasing his own identity. The narrative unfolds in a photography studio, where he has come to have his picture taken with his new identity. Through this act, he grapples with the loss of his name and the complex issues of dignity, identity, and survival under an oppressive regime, revealing the personal cost of systemic racial injustice.

Set in Victorian London, the narrative revolves around a cunning antihero who leads a group of beggars and is involved in various criminal activities. He marries the daughter of the king of the beggars, only to be betrayed by his new wife and a former lover, which leads to his arrest. As he faces execution, a deus ex machina twist saves him at the last moment, allowing him to return to his life of crime. The work is a biting satire of capitalist society, showcasing the corruption and moral ambiguity that pervade all levels of society, from the lowly beggar to the esteemed official, all underscored by memorable music that adds a layer of irony to the darkly comedic plot.

This collection brings together the most significant works of a master playwright whose stories unfold against the backdrop of Russian society at the turn of the 20th century. The plays are rich with complex characters, nuanced relationships, and social commentary, exploring themes of unrequited love, dreams versus reality, the passage of time, and the search for meaning in everyday life. The playwright's signature blend of tragedy and comedy, combined with a subtle use of symbolism and a focus on character development, has cemented these works as timeless explorations of human nature and the societal pressures that shape our lives.

Set in South Africa during the apartheid era, the play explores themes of friendship, betrayal, and the complex nature of loyalty. It revolves around a white liberal couple, Piet and Gladys, whose lives have been impacted by the political turmoil and racial injustices of the time. As they prepare for a dinner with their black friend Steve, who is about to emigrate to England, tensions rise and secrets are revealed. The aloe plants Piet obsessively tends to become a metaphor for resilience and survival, reflecting the characters' struggles with their personal and political realities. The narrative delves into the psychological and emotional costs of living under an oppressive system, and the strains it places on relationships and individual integrity.

The play centers around the dual nature of the wealthy landowner, Mr. Puntila, who oscillates between a cruel and exploitative capitalist when sober and a generous, friendly man when drunk. His complex relationship with his shrewd chauffeur, Matti, serves as a vehicle to explore themes of class struggle, the contradictions within human nature, and the social dynamics of power. Throughout the narrative, Puntila's erratic behavior affects his daughter's marriage prospects and highlights the absurdities and injustices of the class system, while Matti's practical wisdom and cunning expose the farcical elements of his employer's actions, ultimately leading to a satirical examination of the societal norms of the time.