In this metatheatrical play, six characters come to life and demand that a theater director tell their tragic story, which was left incomplete by their author. As the director and his actors interact with these characters, the boundaries between fiction and reality blur, leading to a philosophical exploration of the nature of human identity, the reliability of art, and the unreliability of perception. The characters' story, involving a complex web of familial relationships, adultery, and suicide, further complicates the narrative, challenging the audience's understanding of truth and illusion.

The play delves into the dark and mysterious world of a young student who, after a chance encounter, becomes entangled in the lives of the residents of a haunted house. As he becomes more involved, he is exposed to the deceit, betrayal, and moral decay that lie beneath the surface of the seemingly respectable household. The narrative unfolds through a series of surreal and ghostly events, revealing the psychological and existential struggles of the characters as they grapple with their past sins, illusions of love, and the search for redemption and truth in a world filled with secrets and specters.

In this novel, the protagonist is a man who, after an accident during a historical pageant, comes to believe himself to be the medieval German emperor Henry IV. For twenty years, he lives in a villa with attendants who indulge his delusion. The story delves into themes of madness, reality, and illusion as characters from his past attempt to cure him, leading to a complex examination of the nature of sanity and the role that personal mythologies play in our lives. As the line between the protagonist's delusion and the reality of those around him blurs, the narrative raises profound questions about the nature of identity and the masks people wear in society.

In this satirical farce, an eccentric and quick-witted man, referred to as the Maniac, infiltrates a police station where an anarchist railway worker's death is being investigated. The authorities claim the anarchist died by suicide, having jumped out of a window during an interrogation. However, the Maniac cleverly impersonates various officials, manipulates the policemen, and exposes the absurdities and contradictions in their stories, suggesting that the anarchist's death was not an accident but a cover-up of police brutality. The play uses sharp humor and slapstick to critique corruption and the misuse of power within the establishment, ultimately questioning the integrity of the police and the justice system.

In the play, the audience is taken on a surreal journey through the dreamlike experiences of the daughter of a god who descends to Earth to better understand human suffering. The narrative defies conventional time and space, weaving together a series of disjointed scenes that reflect the illogical and fluid nature of dreams. The characters she encounters are trapped in their own cycles of misery, their lives marked by frustration, disappointment, and the futility of their pursuits. The dreamer navigates this shifting landscape, attempting to find meaning and compassion within the chaos, ultimately revealing the universal struggles of the human condition.

"The Dance of Death" is a darkly comedic play that delves into the tumultuous and decaying marriage of Edgar and Alice, an aging military captain and his wife, who are living in an isolated fortress. As they engage in psychological warfare, their toxic relationship is laid bare, revealing deep-seated resentment, bitterness, and a twisted dependency on one another. The arrival of Kurt, Alice's cousin, further intensifies the situation, as old wounds are reopened and the characters are forced to confront the reality of their lives and the destructive nature of their bond. The play is a stark exploration of marital strife, the human condition, and the intricate and often destructive dance that is human relationships.

"Naked Masks" is a collection of five plays that delve into the complexities of human identity and the conflict between one's inner self and the roles imposed by society. The plays explore themes of madness, illusion, and existential uncertainty, often through characters who are caught in the tension between appearance and reality. The author uses the metaphor of the mask to represent the personas that individuals adopt in public, while questioning the nature of truth and the possibility of truly understanding oneself or others. The plays challenge audiences to consider the fluidity of identity and the performative aspects of everyday life.