Set against the backdrop of the Thirty Years' War, the book tells the story of a canteen woman, Mother Courage, who pulls her cart with her three children across war-torn Europe. It explores her struggles and survival tactics as she tries to profit from the war while keeping her children safe. The narrative is a profound critique of war and its consequences, highlighting the human cost of conflict and the often futile search for prosperity and security in a chaotic world.

The play follows the adventures of its eponymous hero, a boastful and irresponsible Norwegian peasant who embarks on a series of fantastical and often selfish escapades. Throughout his life's journey, he encounters various mythical creatures, engages in business ventures, and pursues romantic interests, all while evading responsibility and the consequences of his actions. His quest for self-realization and identity takes him around the world, only to lead him back home to confront the reality of his wasted life and the love he scorned. The play is a poetic and satirical critique of the Romantic hero and delves into themes of existentialism, self-deception, and the nature of true self-fulfillment.

An Enemy of the People is a drama about a doctor in a small Norwegian town who discovers that the local baths, a source of pride and income for the community, are contaminated and dangerous to public health. Despite the potential harm to the town's residents, the doctor's warnings are ignored by the town's authorities and citizens due to the potential economic fallout. The doctor is ostracized and declared an 'enemy of the people,' leading to a critique of the democratic process and the responsibilities of individuals to their community.

"The Ring of the Nibelung" is a monumental cycle of four epic operas that weave a complex tapestry of power, betrayal, and tragedy through the lens of Norse mythology and Germanic legend. The narrative revolves around a magical ring that grants dominion over the world, crafted by the Nibelung dwarf Alberich from gold stolen from the Rhine maidens. The saga follows the gods, heroes, and mythical creatures who battle for possession of the ring, including the chief god Wotan, the valiant hero Siegfried, and the cursed Valkyrie Brünnhilde. Themes of greed, the corrupting influence of power, and the inevitable downfall of the gods underscore a story that culminates in a cataclysmic finale, signaling the end of the old world and the dawn of a new era cleansed of the ring's curse.

"Lulu Plays" is a series of dramatic works that explore the life of Lulu, a captivating and enigmatic femme fatale who navigates through various levels of German society. The narrative delves into themes of sexual politics, power, and the nature of relationships as Lulu attracts and manipulates a range of lovers and benefactors. Her character serves as both a seductress and a mirror to the desires and hypocrisies of the men who become entangled with her. The plays are known for their controversial and provocative content, challenging the moral attitudes of the time and pushing the boundaries of theatrical representation.

"The Broken Jug" is a comedic play centered around the chaotic proceedings of a village court in the Netherlands. The story unfolds over the course of a single day and revolves around the character of a corrupt and lecherous judge who is ironically tasked with investigating a case involving a broken jug. As the trial progresses, it becomes increasingly clear that the judge himself is intricately connected to the crime and the victim's family, leading to a series of humorous and satirical exchanges that expose the folly and hypocrisy of the legal system. The play is a classic example of the use of irony and farce to critique social and judicial corruption.