"Petersburg" is a symbolist novel set in the heart of Russia during the 1905 Revolution. It follows the story of a young man who is given the task of assassinating his own father, a high-ranking government official, by a radical political group. The narrative is a complex mix of politics, family drama, and philosophical introspection, all set against the backdrop of a city in turmoil. The novel is renowned for its vivid and poetic descriptions of the city itself, making Petersburg as much a character in the story as the people who inhabit it.

The book is a dark and satirical portrayal of the Soviet Union's early years of communism, focusing on a group of workers involved in the construction of a gigantic pit intended to lay the foundations for a utopian future. As they dig deeper, the narrative delves into the absurdities and tragedies of the Soviet system, revealing the disconnect between the lofty ideals of the revolution and the harsh realities faced by the people. The characters, ranging from disillusioned laborers to ideologically blinded officials, grapple with the meaning of progress and human purpose in a society where language and thoughts are contorted by political dogma, ultimately questioning the human cost of a forced march towards a promised paradise.

"Reasons of State" is a satirical novel that delves into the life of a Latin American dictator who clings to power through manipulation and the ruthless suppression of opposition. Set against the backdrop of early 20th-century political turmoil, the narrative explores themes of corruption, decadence, and the absurdity of authoritarian regimes. The protagonist, a caricature of the archetypal tyrant, navigates through a series of farcical and tragic events, revealing the hollow core of his regime's pomp and circumstance. The novel critiques the self-serving justifications of those in power, who often cloak their actions under the guise of state necessity and progress, while their personal and political decisions lead to the suffering and disenfranchisement of the people they rule.

The book is a fictionalized account of the life of Fray Servando Teresa de Mier, a real-life Dominican friar from the 18th century. It follows his numerous escapes from colonial authorities across Latin America and Spain after he delivered a controversial sermon in Mexico City. The narrative, infused with magical realism, portrays Fray Servando's adventures and misfortunes as he becomes a symbol of freedom and resistance against oppressive regimes. His journey is marked by a series of bizarre and fantastical encounters, reflecting the author's critique of totalitarianism and exploration of the themes of liberty, identity, and the absurdity of political persecution.