"Lysistrata" is a comedic play set in ancient Greece, where the women of Athens, led by the eponymous character, decide to withhold sexual privileges from their husbands and lovers in order to force them to negotiate a peaceful end to the Peloponnesian War. Along with the women of Sparta, they seize the Acropolis and the treasury, and through their non-violent resistance, they manage to bring about a reconciliation between the warring states. The play is a humorous exploration of gender roles and the power of passive resistance.

This classic French play revolves around the character Tartuffe, a hypocritical and cunning man who pretends to be deeply pious and religious. He manages to deceive Orgon, a wealthy family patriarch, into believing in his piety. Orgon is so taken in by Tartuffe that he decides to marry him off to his daughter, despite her love for another man. The family works together to expose Tartuffe's true nature, leading to a series of comic and dramatic events. The play is a satirical critique of religious hypocrisy and gullibility.

This ancient Greek comedy play revolves around two men who are fed up with the problems of human society and decide to create a utopian city in the clouds with the help of birds. Their city, 'Cloudcuckooland', becomes popular and attracts gods and humans alike, leading to a series of humorous and satirical events. The play is a satire on political and social life in Athens, poking fun at its democracy, bureaucracy, and warfare.

"The Clouds" is a satirical play that critiques the intellectual and moral corruption of Athenian society by focusing on a father-son relationship. The father, in an effort to evade debt, sends his son to a school of sophistry to learn the art of manipulating language and logic to win arguments. The story explores themes of education, morality, and the conflict between traditional and modern values. The play is well-known for its critical portrayal of Socrates as a sophist and its comedic elements.

The play is a comedic yet biting commentary on class and privilege, set against the backdrop of a single day in the life of a clever valet named Figaro, who is about to marry his beloved Suzanne. However, their plans are threatened by the Count, who desires Suzanne for himself and aims to exercise his feudal right to bed a servant girl on her wedding night. Through a series of clever maneuvers, secret plots, and humorous twists, Figaro, Suzanne, and their allies outwit the Count and other members of the aristocracy. The play challenges the social norms of the time, including the abuses of the upper classes and the rights of individuals, culminating in a celebration of love and marriage where wit and resourcefulness triumph over rank and power.

The play is a satirical comedy that centers around Argan, a hypochondriac who obsesses over his health and squanders his fortune on unnecessary medical treatments. His ailment is exploited by charlatan doctors and a greedy wife, while his daughter's marital future hangs in the balance due to his misguided intentions. The story unfolds with a clever servant, Toinette, and Argan's brother, Béralde, attempting to open his eyes to the truth of his condition and the deceit around him. Through a series of humorous events, including a mock ceremony, the play critiques the medical profession and the foolishness of those who blindly follow it, ultimately advocating for common sense and true familial love.

"The Misanthrope" is a satirical play that explores the hypocrisy and corruption of French aristocratic society through the eyes of the protagonist, a man who insists on absolute honesty and despises flattery, insincerity, and social conventions. Despite his disdain for society, he falls in love with a coquette who embodies everything he detests, leading to a series of comedic and dramatic situations. The narrative ultimately emphasizes the importance of balance between truth and courtesy in social interactions.

"Rameau's Nephew" is a philosophical dialogue that explores themes of morality, societal norms, and the nature of genius. The story revolves around a conversation between a philosopher and a character who is the nephew of a famous musician. The nephew, a freeloader and a parasite, defends his lifestyle by arguing that it is not only acceptable but also necessary in a society where wealth and power determine value. The dialogue delves into the contradictions and ironies of social conventions, challenging traditional notions of virtue, vice, and human nature.

This book is a compilation of the works of a renowned 17th-century French playwright, who is often considered one of the greatest masters of comedy in Western literature. His plays are known for their satirical examination of social norms and human folly, featuring a range of characters from the foolish and the pedantic to the hypocritical and the corrupt. Some of his most famous works included in this collection are "Tartuffe," "The Misanthrope," and "The Imaginary Invalid."

This comedic play explores the life of a libertine nobleman who is infamous for his seduction of women. The protagonist is a man who lives by his own rules, unburdened by morality or religion, and who takes pleasure in manipulating others for his own gain. His actions eventually lead to his downfall when he refuses to repent for his sins, resulting in a dramatic, supernatural punishment.

This comedic play revolves around a middle-class man who aspires to elevate his social status and become a gentleman. He hires teachers to educate him in the arts, language, and manners of the upper class, but his lack of understanding and pretentious behavior only makes him look foolish. His obsession with his newly acquired 'gentleman' status strains his relationship with his sensible wife and daughter, and leads to a series of humorous and satirical incidents that mock the pretensions and hypocrisy of the society.

"The Miser" is a comedic play that revolves around a wealthy man who is so obsessed with his money that he neglects his own children. His son and daughter, both in love with people they cannot afford to marry due to their father's stinginess, scheme to trick him out of his wealth. The play satirizes the greed and hypocrisy of the upper class, while exploring themes of love, deception, and the value of money.

"The Knights" is a satirical comedy that delves into the political landscape of ancient Athens, critiquing the city's leadership through the allegory of a household. The play focuses on the conflict between a noble but dimwitted horseman and a cunning and manipulative sausage-seller, both vying for the favor of their master, who represents the Athenian people. The sausage-seller, with the help of the chorus of knights, ultimately triumphs, symbolizing the hope for a new and better leader. The work is a pointed commentary on the demagoguery and corruption of the time, using humor and absurdity to explore themes of power, populism, and the responsibilities of citizenship.

In this ancient Greek comedy, the women of Athens, fed up with the mismanagement and corruption of male politicians, disguise themselves as men to take over the city's assembly. Once in power, they institute a series of radical reforms, including the communal sharing of wealth and property, and the requirement that the most attractive men must sleep with the ugliest women first to ensure fairness in love. The play satirizes gender roles, political life in Athens, and the utopian solutions to societal problems, all while delivering a humorous yet pointed critique of the effectiveness of democratic governance and the nature of power.

"The Wasps" is a classical Greek comedy that satirizes the Athenian legal system and the citizenry's obsession with litigation. The play revolves around an elderly man, Philocleon, who is addicted to serving on juries and the comical lengths to which his son, Bdelycleon, goes to cure him of this addiction. The son eventually manages to keep his father at home by staging a mock trial of household pets, highlighting the absurdity of the legal proceedings. Through sharp wit and humor, the play critiques the flaws of democracy and the frivolity of the Athenian courts, while also exploring themes of generational conflict and the nature of justice.

"The Frogs" is a classic comedic play that delves into the world of Greek mythology and literature. The story follows the god Dionysus as he descends into the underworld with his slave Xanthias. Dionysus seeks to bring back the recently deceased tragedian Euripides to save the city from its cultural decline. However, upon arrival, he finds himself amidst a heated debate between Euripides and Aeschylus, another deceased playwright, over who is the greatest tragedian. A competition ensues, judged by Hades, leading to a series of humorous critiques of their plays and styles. The play is a satirical examination of Athenian society and the role of art and culture, filled with witty dialogue and commentary on the nature of theater.

"The School for Wives" is a comedic play about a man who attempts to groom a young woman to be his perfect, obedient wife. However, his plans are thwarted when the young woman falls in love with another man. The play satirizes societal norms around marriage, highlighting the absurdity of controlling relationships and the importance of love and mutual respect.

"Selected Works" by Alfred Jarry is a compilation of the most significant writings from a French author known for his pioneering work in the Absurdist and Surrealist movements. The collection showcases a range of Jarry's literary output, including plays, essays, and novels, with his most famous character, Père Ubu, often taking center stage. Jarry's work is characterized by its satirical edge, inventive language, and the subversion of traditional literary forms. His influence extends beyond literature into the realms of theatre and the visual arts, where his ideas have continued to resonate with avant-garde movements throughout the 20th century and beyond.

The play is a satirical comedy that pokes fun at the pretentiousness and affectations of the intellectual and social elite of the time. It centers around two young men who, in their pursuit of love, find themselves entangled with a group of affected women who are obsessed with the finer points of literary and social etiquette. The men must navigate through the absurdities of these self-proclaimed "precieuses" (precious ones), whose ludicrous behavior and exaggerated mannerisms are both mocked and exposed as ridiculous. The work is a humorous critique of the artificialities of certain social circles and the lengths to which people will go to appear more sophisticated than they truly are.

The play is a satirical comedy that delves into the pretensions and affectations of intellectualism and pedantry among the bourgeois class. It centers around the conflict within a family over the value of genuine learning and the superficial appearance of being cultured. The plot revolves around two young lovers whose marriage is opposed by the mother, who is under the influence of a pseudo-intellectual poet. The mother wishes her daughter to marry this pedantic man instead, valuing his ostentatious display of knowledge over genuine wisdom and love. The play mocks the absurdities of academic snobbery and the misplaced priorities of those who value the appearance of intelligence over true understanding and happiness.

"School for Husbands" is a comedic play that delves into the themes of love, marriage, and the contrasting approaches to spousal control. The narrative centers around two brothers with opposing views on how to treat their respective wards, whom they intend to marry. The older brother advocates for strictness and authority, keeping a tight rein on his young ward, while the younger brother espouses freedom and trust in his own. As the story unfolds, the characters engage in a series of humorous and revealing situations that challenge their beliefs about relationships and ultimately lead to a conclusion that favors liberality over rigidity, suggesting that love cannot be forced or controlled, but rather should be nurtured with understanding and freedom.