In this novel, the protagonist, a young, ordinary man, visits his cousin at a tuberculosis sanatorium in the Swiss Alps. Intending to stay for only a few weeks, he ends up remaining there for seven years, becoming a patient himself. The book explores his experiences and relationships with other patients and staff, delving into philosophical discussions on life, time, and the nature of disease. It also provides a vivid portrayal of the European society and intellectual life on the eve of World War I.

The novel follows the adventures of an eccentric, violent, and mentally unstable protagonist who is released from an asylum by his psychiatrist. The pair embark on a chaotic journey across Europe and America, encountering a variety of strange and often dangerous situations. The narrative explores themes of insanity, violence, and the human condition, offering a dark and surreal critique of modern society.

The play is a comedic and intellectual romp through Zurich during World War I, where the lives of historical figures like the Dadaist Tristan Tzara, the novelist James Joyce, and the communist revolutionary Lenin intersect through the unreliable memories of British consular official Henry Carr. The narrative is a playful, non-linear exploration of art, politics, and the nature of memory, blending slapstick humor with sharp wit and literary allusions. The work challenges the audience to consider the role of the artist in society and the impact of political upheaval on cultural expression, all while questioning the reliability of history and the very nature of truth itself.

The narrative revolves around the return of a wealthy woman to her impoverished hometown, where she offers the residents a disturbing proposition: a vast fortune in exchange for the life of the man who wronged her in her youth. As the townspeople's initial horror gives way to the corrupting influence of the promised wealth, moral integrity collapses, leading to a dark and cynical exploration of human nature, justice, and revenge. The story serves as a powerful commentary on the capacity for greed to erode community values and the price of justice in a world governed by materialism.

This book is a collection of manifestos that serve as a seminal document in the history of the Dada movement, an avant-garde art movement of the early 20th century. The texts within are a blend of satire, polemic, and absurdity, reflecting the movement's disdain for the norms of bourgeois culture and traditional aesthetics. The author, a key figure in Dadaism, uses these manifestos to challenge concepts of art, literature, and politics, advocating for chaos and spontaneity over logic and reason. The work is both a philosophical treatise and a call to arms, encouraging the reader to question the status quo and embrace the liberating power of nonconformity and irrationality.