"The Iceman Cometh" is a play set in a New York City bar in 1912, featuring a group of down-and-out alcoholics who spend their days in a state of drunken stupor, telling tall tales and dreaming of better futures. The arrival of a former patron, now sober, disrupts their routine as he insists on forcing them to face the harsh realities of their lives and abandon their delusions. The play is a poignant exploration of despair, disillusionment, and the human capacity for self-deception.

This play is a powerful and emotionally charged piece of American agitprop theater that centers on the struggles of taxi drivers in the 1930s facing exploitative working conditions. Through a series of vignettes and monologues, it delves into the lives of individual workers, revealing their personal hardships and the impact of broader social injustices. The narrative builds towards a climactic union meeting where the characters debate whether to strike against their oppressive bosses. The play is renowned for its leftist political stance and its call to collective action, encapsulating the spirit of working-class resistance and solidarity during a time of economic turmoil.

The play is a powerful expressionist work that follows the life of a young woman who feels trapped and dehumanized by the societal expectations and mechanical nature of the early 20th-century urban environment. She is suffocated by her mundane job, an oppressive marriage to her boss, and the overall constraints of a patriarchal society. Her desperate longing for freedom and individuality leads her down a dark path that culminates in a shocking and tragic act, ultimately resulting in her entanglement with the justice system. The narrative is a critique of the industrial age and its impact on the human spirit, exploring themes of autonomy, alienation, and the crushing force of societal norms.

The play centers around two African American brothers, Lincoln and Booth, who share a tenuous and competitive relationship marked by a troubled past. Lincoln, a former street hustler, now works as a Lincoln impersonator in a shooting gallery, while Booth aspires to be the greatest card hustler, practicing the three-card monte con that Lincoln has abandoned. As they navigate their sibling rivalry, the brothers grapple with their roles as the "topdog" and the "underdog" in a cycle of poverty and broken dreams. The narrative delves into themes of identity, family dynamics, and the struggle for power, culminating in a dramatic and tragic exploration of fate and the inescapable nature of their circumstances.

The play revolves around two mismatched roommates: the fastidious, neurotic Felix Ungar and the slovenly, easygoing Oscar Madison. After Felix's marriage falls apart, he moves in with Oscar, who is also recently divorced. Their contrasting personalities and habits lead to comedic conflict and tension within their New York City apartment, as they struggle to coexist and support each other through their respective mid-life crises. The story explores themes of friendship, the challenges of living with others, and the humorous trials of post-divorce life.

"The Dutchman" is a provocative play set on a New York City subway train, where a young African-American man, Clay, encounters Lula, a flirtatious and mysterious white woman. The play unfolds as a tense, psychological confrontation that escalates into a symbolic and violent exploration of racial dynamics and identity in 1960s America. Through their interaction, the narrative delves into themes of race, sexuality, and power, ultimately leading to a shocking and tragic climax that forces the audience to confront the social and political undercurrents of the era.

The play explores the premise that everyone in the world is connected to everyone else by a chain of no more than six acquaintances. It centers around a young con artist who infiltrates the lives of a wealthy New York couple, claiming to be the son of a famous movie star and a classmate of their children at Harvard. By spinning a web of lies and charm, he exposes the superficial nature of their social world while also revealing the deep-seated racial and class anxieties that lie beneath the polished surface of their lives. The title refers to the idea that any two individuals are connected by a chain of, at most, six other people, which becomes a metaphor for the interconnectedness of human experience and the illusion of separation in society.

"Intimate Apparel" is a poignant play set in New York City in 1905, which tells the story of Esther, an African American seamstress who creates exquisite lingerie for both wealthy uptown wives and downtown prostitutes. As she navigates the complexities of love, empowerment, and the constraints of the social order of her time, Esther dreams of opening her own beauty parlor where black women will be treated as royally as the white women she sews for. Through her interactions with a diverse cast of characters—including a Jewish fabric merchant, her landlady, and a Caribbean man—Esther's tale unfolds, revealing the deeply personal longing for connection and the impact of race and religion on the lives of the characters.

The play is a searing drama set during the early years of the AIDS crisis in New York City. It follows the passionate and outspoken protagonist, a gay Jewish-American writer and activist, as he forms an organization to raise awareness about the mysterious disease decimating the gay community. Battling against indifference, denial, and political obstacles, he confronts the realities of the epidemic, the limitations of the healthcare system, and the personal toll of the crisis, including the impact on his own relationships. Through his journey, the play exposes the fear, anger, and heartbreak experienced by those at the forefront of the struggle, while also serving as a powerful call to action against ignorance and apathy.

"Balm in Gilead" is a play set in a rundown diner in New York City's Upper Broadway neighborhood, where the lives of prostitutes, junkies, and petty criminals intersect. Over the course of three days, the characters' stories unfold, revealing their struggles, desires, and quests for redemption amidst the harsh realities of urban life. The play is known for its raw, unfiltered dialogue and its ensemble cast, creating a vivid tapestry that captures the essence of a marginalized community living on the fringes of society. Through their interactions, the characters search for a 'balm in Gilead'—a healing and comfort in a world that seems bereft of hope.

"Torch Song Trilogy" is a collection of three plays that follow the life and emotional journey of a Jewish drag queen living in New York City from the late 1970s to the early 1980s. The protagonist navigates the complexities of love, family, and identity against the backdrop of the gay rights movement and the burgeoning AIDS crisis. With humor and pathos, the plays explore themes of acceptance, the human longing for connection, and the struggle for self-respect in a society that often shows hostility towards those who defy traditional norms. Through the protagonist's relationships—with a fickle lover, an adopted son, and a disapproving mother—the narrative weaves a poignant tapestry of the trials and triumphs of the human heart.