In this metatheatrical play, six characters come to life and demand that a theater director tell their tragic story, which was left incomplete by their author. As the director and his actors interact with these characters, the boundaries between fiction and reality blur, leading to a philosophical exploration of the nature of human identity, the reliability of art, and the unreliability of perception. The characters' story, involving a complex web of familial relationships, adultery, and suicide, further complicates the narrative, challenging the audience's understanding of truth and illusion.

The book tells the story of a man who has his identity shattered when his wife casually notes that his nose tilts to the right, something he had never noticed before. This seemingly insignificant comment leads him into an obsessive quest to understand how he is perceived by others, and he gradually loses his sense of self as he fragments into a multitude of characters. The protagonist's existential crisis intensifies as he realizes that everyone he meets perceives him differently, leading him to question his own existence and ultimately, his sanity.

"The Clay Machine-gun" is a surreal and complex novel that explores the nature of reality and illusion. The story is set in post-Soviet Russia and follows a protagonist who has multiple identities, including a poet in 19th-century Russia, a 20th-century psychiatric patient, and a 21st-century advertising executive. The narrative moves between these identities and realities, blurring the lines between them and creating a layered and philosophical exploration of Russian society, identity, and the human psyche.

The book is a collection of absurdist short stories that reflect the author's unique take on the Soviet reality of his time. Through a series of bizarre and darkly humorous vignettes, the author explores themes of meaninglessness, the breakdown of logic, and the unpredictability of human existence. His characters often find themselves in surreal situations that defy conventional understanding, highlighting the author's fascination with the illogical and the nonsensical. The work serves as both a critique of the societal norms of the era and an example of the avant-garde literary movement to which the author belonged.

"Christmas at the Ivanovs'" is a satirical play that delves into the absurdities of Soviet life during the early 20th century. The narrative unfolds during a Christmas celebration at the Ivanov family's home, where a series of bizarre and surreal events take place. The characters, including a detective, a poet, and various family members, engage in nonsensical dialogues and actions, reflecting the author's avant-garde approach to theater. The play critiques the disconnect between the state's ideological propaganda and the grim realities of everyday life, using dark humor and chaotic scenes to challenge the audience's perception of normalcy and rationality within a society under strict political control.

The novel presents a fragmented and surreal narrative that delves into the mind of a young boy with a learning disability, attending a special school in the Soviet Union. Through a stream-of-consciousness style, the book explores the boy's experiences and perceptions, blending reality with fantasy, and time with memory. The protagonist's inner world is rich with poetic language and vivid imagery, reflecting his struggle to find his place in a society that marginalizes those who are different. The narrative structure defies conventional storytelling, offering a unique and challenging perspective on the nature of sanity, the power of institutions, and the complexity of the human psyche.

"Naked Masks" is a collection of five plays that delve into the complexities of human identity and the conflict between one's inner self and the roles imposed by society. The plays explore themes of madness, illusion, and existential uncertainty, often through characters who are caught in the tension between appearance and reality. The author uses the metaphor of the mask to represent the personas that individuals adopt in public, while questioning the nature of truth and the possibility of truly understanding oneself or others. The plays challenge audiences to consider the fluidity of identity and the performative aspects of everyday life.