This collection of plays by a renowned 17th-century French dramatist features a variety of works that have significantly influenced the development of classical French tragedy. The plays often explore themes of honor, fate, and moral integrity, with complex characters who grapple with high-stakes moral and ethical dilemmas. The author's skillful use of language and his innovative approach to dramatic structure and characterization have made these plays enduring classics of French literature.

The play is a modern adaptation of the classic Greek tragedy, which follows the story of Antigone, the daughter of Oedipus, as she defies the laws of the state to bury her brother Polynices, who has been declared a traitor and whose body has been condemned to remain unburied. Antigone's actions set her at odds with Creon, the ruler of Thebes, leading to a profound exploration of the conflict between individual conscience and state law, the role of fate, and the nature of morality. As Antigone's resolve leads her to tragic consequences, the play delves into themes of loyalty, honor, and the human cost of absolute power.

The play is a dramatic tale set in Renaissance Florence, revolving around the character of Lorenzo de Medici, a young, disillusioned aristocrat entangled in the corrupt political machinations of his time. Disgusted by the tyrannical rule of his cousin, Duke Alessandro, and the moral decay of society, Lorenzo hatches a complex plot to assassinate the Duke. His internal conflict and the influence of Machiavellian philosophy drive the narrative, exploring themes of power, betrayal, and the struggle between personal ideals and the harsh realities of the political world. The play ultimately unfolds as a dark, psychological drama that delves into the depths of human nature and the costs of radical action.

This comprehensive collection encompasses the entire body of work by a renowned French dramatist, poet, and novelist. The book includes his most famous plays, lyrical poetry, and novels, all of which are characterized by romantic themes and a deep exploration of human emotions. His writings, often autobiographical, offer a vivid portrayal of the 19th century French society, its morals, and its decadence. The author's keen observations, wit, and mastery of language make his works enduring classics of French literature.

This collection of three plays offers a deep exploration of human emotions, societal norms and familial relationships. The first play, 'The Hostage', revolves around the complexities of love and sacrifice. The second play, 'Crusts', delves into the struggles of poverty and the human spirit's resilience. The final play, 'The Humiliation of the Father', portrays the dynamics of a dysfunctional family and the impact of parental behaviour on children. Each play, while distinct in their narratives, collectively provides a profound commentary on human nature and society.

"The School for Wives" is a comedic play about a man who attempts to groom a young woman to be his perfect, obedient wife. However, his plans are thwarted when the young woman falls in love with another man. The play satirizes societal norms around marriage, highlighting the absurdity of controlling relationships and the importance of love and mutual respect.

"The Island of Slaves" is a satirical play that explores themes of power, class, and social justice. After a shipwreck, a group of aristocrats find themselves stranded on an island ruled by former slaves who have overthrown their masters. The island's society is structured to reverse the roles of masters and servants, forcing the shipwrecked nobles to confront the injustices and cruelties of their old ways. Through a series of comedic and thought-provoking events, the characters grapple with their own prejudices and the concept of equality, ultimately questioning the very foundations of their societal roles and the possibility of redemption through a reversal of power.

"Tiger at the Gates" is a play that presents a pacifist perspective on the Trojan War, focusing on the character of Hector, a Trojan military leader who foresees the destruction that war with Greece will bring. Despite his efforts to avoid conflict through diplomacy and reason, he is met with ridicule and pressure from his fellow Trojans, who are eager for battle and glory. The narrative explores themes of fate, individual versus collective responsibility, and the tragic consequences of war, as Hector's attempts to maintain peace ultimately fail, leading to the inevitable fall of Troy.

Set against the backdrop of the 1916 Easter Rising in Dublin, the play explores the impact of political upheaval on ordinary lives. It centers on the residents of a tenement building, particularly a young married couple whose relationship is strained by the husband's commitment to the nationalist cause. As the rebellion unfolds, the characters' personal dramas intersect with historical events, leading to tragedy and a poignant examination of the human cost of political conflict. The work critiques romanticized notions of nationalism and heroism, revealing the harsh realities of war and the resilience of the human spirit amidst chaos and loss.

"The Balcony" is a play set within a brothel that doubles as a fantasy realm for its clients, who act out their grandiose illusions of power as figures like a bishop, a judge, and a general. As a revolution rages in the streets outside, the establishment's madam and her patrons grapple with the nature of authority and reality, blurring the lines between the authentic and the performative. The play delves into themes of identity, societal roles, and the corrupting influence of power, offering a dark, existential critique of the structures that uphold the facade of societal order and the human desire to escape into illusion.

This book is a comprehensive collection of Samuel Beckett's dramatic works, showcasing his unique style and exploration of human existence. From the iconic "Waiting for Godot" to lesser-known plays, Beckett's works delve into themes of despair, absurdity, and the human condition. With his minimalist approach and masterful use of language, Beckett's plays continue to captivate and challenge readers, offering a profound reflection on the complexities of life.

This play revolves around the love triangle between a clergyman, his wife, and a young poet who idolizes her. The clergyman, who is a popular Christian Socialist, is oblivious to the poet's infatuation with his wife. The poet eventually confesses his love and proposes a "bidding" for Candida's affection, where both men will state their cases as to why she should choose them. In the end, Candida chooses her husband, stating that he is the one who truly needs her.

The play is a tragic drama set in the aftermath of the Trojan War, focusing on the fate of Andromache, the widow of the Trojan hero Hector, who is now a captive of Pyrrhus, the son of Achilles. Pyrrhus is torn between his obsessive love for Andromache, who remains faithful to the memory of her slain husband, and his betrothal to Hermione, the daughter of the Spartan king Menelaus. The play explores themes of love, duty, and vengeance as Andromache struggles to protect her son, the last heir of the Trojan line, amidst the dangerous political machinations of the Greek victors, leading to a series of tragic events fueled by jealousy, pride, and the inescapable grip of fate.

The play is a comedic look at the social and sexual rivalries in a small English town during wartime. It follows the charming Captain Plume and the scheming Sergeant Kite as they attempt to recruit soldiers for the British army while navigating the affections of the local women. The story unfolds with a series of romantic entanglements, mistaken identities, and satirical takes on class and gender dynamics, culminating in a series of humorous and unexpected resolutions for the characters' various pursuits of love, social status, and military glory.

The play is a tragicomedy set in the slums of Dublin during the Irish Civil War, focusing on the Boyle family. The father, known as "Captain" Jack Boyle, is a loquacious, self-deluded man who spends his time drinking and avoiding work, while his long-suffering wife, Juno, tries to maintain the household. Their lives are upended when they receive news of an unexpected inheritance, leading to false hopes and reckless spending. As the family's fortunes rise and fall amidst a backdrop of political turmoil and personal betrayals, the play explores themes of poverty, pride, and the illusion of escape from the hardships of working-class life.

"The Chairs" is a tragic farce that delves into the themes of existentialism and the absurdity of human existence. The play unfolds as an elderly couple prepares a room full of chairs for a gathering of invisible guests. They are eagerly anticipating the arrival of an orator who will deliver a message of great importance, believed to be the culmination of their life's work. As the room fills with more and more chairs for guests that never appear, the play reaches a climax with the orator's arrival, only to reveal the futility of their expectations and the inherent emptiness of communication. The couple's desperate need for validation and their ultimate failure to convey meaning reflect the human condition's search for purpose in a senseless world.

"Happy Days" is a play that revolves around the life of Winnie, a middle-aged woman who is buried up to her waist in a mound of earth, with her situation worsening in the second act as she becomes buried up to her neck. Despite her predicament, Winnie maintains a sense of optimism and routine, often reminiscing about the past and engaging in one-sided conversations with her taciturn husband, Willie, who is largely invisible offstage. The play delves into themes of human resilience, the passage of time, and the search for meaning in the face of an absurd and unchanging predicament, with Winnie's relentless cheerfulness contrasted against the bleak and inexplicable situation she finds herself in.

"La Dispute" is a French play that explores the nature of love and fidelity through an 18th-century social experiment orchestrated by a prince and his court. The experiment involves raising four children — two boys and two girls — in isolation from the world and each other until adolescence, after which they are introduced to one another for the first time to determine whether infidelity is an innate human trait. The play unfolds as a comedy of manners, with the characters falling in and out of love while the observers debate and analyze their behaviors, ultimately leaving the audience to ponder the complexities of human relationships and the eternal question of whether infidelity is a product of nature or nurture.

The play is a tragic depiction of the struggle for power in ancient Rome, focusing on the young emperor Nero's rise to tyranny. It portrays Nero's manipulation and betrayal as he seeks to consolidate his rule, eliminating any threats to his authority. The drama unfolds around his toxic relationship with his mother Agrippina, his ruthless disposal of his stepbrother Britannicus, who is the rightful heir to the throne, and his obsessive love for Britannicus's betrothed, Junia. The narrative is a classic example of political intrigue, moral decay, and the destructive nature of absolute power, highlighting the psychological complexity and emotional turmoil of its characters as they navigate a dangerous and duplicitous court.

The book in question is a classic French Renaissance tragedy that delves into the complex and tumultuous life of a renowned Roman general and politician. Set against the backdrop of the Roman Empire's decline, the narrative explores themes of love, power, betrayal, and the tragic consequences of human flaws. The protagonist's story is one of a passionate and ill-fated love affair with a foreign queen, political strife, and the ultimate downfall of a once-great leader. Through poetic language and dramatic scenes, the play examines the intricate interplay between personal desires and the harsh realities of political life, leading to a catastrophic end that reflects on the nature of fate and the inescapable flaws of humanity.

"Juives" is a tragic play set in ancient Babylon that explores themes of power, faith, and suffering. The narrative centers around the plight of the Jewish people under the tyrannical rule of Nebuchadnezzar, who has destroyed Jerusalem and taken the Jews captive. The play focuses on the characters of Zedekiah, the last king of Judah, who is tortured and blinded, and his children, who are also victims of Nebuchadnezzar's cruelty. Through poetic dialogue and dramatic interactions, the play delves into the struggles of the Jewish captives as they maintain their faith and identity in the face of despair and oppression, ultimately providing a commentary on the resilience of the human spirit.

The play is a tragic drama set in ancient Armenia, revolving around its titular character, a Christian convert who defies the Roman Empire's pagan religious edicts. Polyeucte's newfound faith leads to a cascade of consequences, as he destroys pagan temples, which not only angers the authorities but also strains his marriage to Pauline, who is still a pagan. His actions set off a complex interplay of duty, faith, and love, as characters grapple with their beliefs and loyalties. Ultimately, Polyeucte's steadfastness in his faith leads to his martyrdom, while his sacrifice and the strength of his convictions inspire others, including Pauline, to embrace Christianity, highlighting themes of religious conviction, sacrifice, and redemption.

"Nicomède" is a classic French tragicomedy that revolves around the political and emotional turmoil within the royal court of Bithynia, an ancient region in Asia Minor. The play centers on the titular character, a noble and valiant prince who finds himself caught in a web of court intrigue and familial strife. As the legitimate heir to the throne, Nicomède must navigate the treacherous waters of loyalty and ambition, while contending with the favoritism shown by his father, King Prusias, towards his younger half-brother. The drama unfolds against a backdrop of shifting alliances, romantic entanglements, and the looming threat of Roman intervention, culminating in a test of virtue and the true nature of sovereignty.

The play "Horace" is a classic French tragedy that revolves around the conflict between Rome and Alba Longa, which is to be decided by a combat between two sets of triplets: the Roman Horatii and the Alban Curiatii. The central character, Horace, is a Roman warrior who, in his patriotic fervor, faces a profound moral dilemma when his sister Camilla is betrothed to one of the Curiatii brothers. The drama intensifies when, after a victorious but tragic battle, Horace kills his sister in a fit of rage for mourning the enemy's death over Rome's victory. This act of fratricide leads to a trial where Horace must defend his actions before the state and his family, raising questions about duty, honor, and the price of allegiance to one's country.

"Cinna" is a classic French tragedy set in ancient Rome, focusing on themes of clemency and tyranny. The play revolves around the titular character, a nobleman involved in a conspiracy to assassinate Emperor Augustus. As the plot unfolds, the conspirators grapple with their moral dilemmas and the consequences of their actions. The emperor, upon discovering the plot, faces his own internal struggle between his desire for justice and the virtue of forgiveness. The narrative explores the complexities of power, loyalty, and the human capacity for mercy, culminating in a surprising act of leniency that challenges the traditional expectations of retribution in tragedy.