This collection of three plays offers a deep exploration of human emotions, societal norms and familial relationships. The first play, 'The Hostage', revolves around the complexities of love and sacrifice. The second play, 'Crusts', delves into the struggles of poverty and the human spirit's resilience. The final play, 'The Humiliation of the Father', portrays the dynamics of a dysfunctional family and the impact of parental behaviour on children. Each play, while distinct in their narratives, collectively provides a profound commentary on human nature and society.

"The Master Builder" is a play focused on the life of Halvard Solness, a successful yet self-absorbed architect who is haunted by past mistakes and fears the rise of a younger generation. His life takes a turn when a young woman, Hilda, arrives, reminding him of a promise he made to her a decade ago. As Solness grapples with his past, present, and future, the play explores themes of ambition, power, guilt, and the cost of success.

"The School for Wives" is a comedic play about a man who attempts to groom a young woman to be his perfect, obedient wife. However, his plans are thwarted when the young woman falls in love with another man. The play satirizes societal norms around marriage, highlighting the absurdity of controlling relationships and the importance of love and mutual respect.

"The Island of Slaves" is a satirical play that explores themes of power, class, and social justice. After a shipwreck, a group of aristocrats find themselves stranded on an island ruled by former slaves who have overthrown their masters. The island's society is structured to reverse the roles of masters and servants, forcing the shipwrecked nobles to confront the injustices and cruelties of their old ways. Through a series of comedic and thought-provoking events, the characters grapple with their own prejudices and the concept of equality, ultimately questioning the very foundations of their societal roles and the possibility of redemption through a reversal of power.

"Tiger at the Gates" is a play that presents a pacifist perspective on the Trojan War, focusing on the character of Hector, a Trojan military leader who foresees the destruction that war with Greece will bring. Despite his efforts to avoid conflict through diplomacy and reason, he is met with ridicule and pressure from his fellow Trojans, who are eager for battle and glory. The narrative explores themes of fate, individual versus collective responsibility, and the tragic consequences of war, as Hector's attempts to maintain peace ultimately fail, leading to the inevitable fall of Troy.

An Enemy of the People is a drama about a doctor in a small Norwegian town who discovers that the local baths, a source of pride and income for the community, are contaminated and dangerous to public health. Despite the potential harm to the town's residents, the doctor's warnings are ignored by the town's authorities and citizens due to the potential economic fallout. The doctor is ostracized and declared an 'enemy of the people,' leading to a critique of the democratic process and the responsibilities of individuals to their community.

"The Balcony" is a play set within a brothel that doubles as a fantasy realm for its clients, who act out their grandiose illusions of power as figures like a bishop, a judge, and a general. As a revolution rages in the streets outside, the establishment's madam and her patrons grapple with the nature of authority and reality, blurring the lines between the authentic and the performative. The play delves into themes of identity, societal roles, and the corrupting influence of power, offering a dark, existential critique of the structures that uphold the facade of societal order and the human desire to escape into illusion.

The play is a tragic drama set in the aftermath of the Trojan War, focusing on the fate of Andromache, the widow of the Trojan hero Hector, who is now a captive of Pyrrhus, the son of Achilles. Pyrrhus is torn between his obsessive love for Andromache, who remains faithful to the memory of her slain husband, and his betrothal to Hermione, the daughter of the Spartan king Menelaus. The play explores themes of love, duty, and vengeance as Andromache struggles to protect her son, the last heir of the Trojan line, amidst the dangerous political machinations of the Greek victors, leading to a series of tragic events fueled by jealousy, pride, and the inescapable grip of fate.

The play revolves around the story of a stern and idealistic priest who lives in the harsh, unforgiving climate of rural Norway. The protagonist is unwavering in his religious and moral convictions, refusing to compromise on his ideals even when faced with personal tragedy and the suffering of those around him. His rigid adherence to principle leads him to make decisions that have devastating effects on his own life and the lives of the community members. The narrative explores themes of sacrifice, the conflict between duty and compassion, and the quest for true Christian living in a flawed world. Ultimately, the protagonist's journey is a tragic reflection on the cost of absolute integrity.

"The Chairs" is a tragic farce that delves into the themes of existentialism and the absurdity of human existence. The play unfolds as an elderly couple prepares a room full of chairs for a gathering of invisible guests. They are eagerly anticipating the arrival of an orator who will deliver a message of great importance, believed to be the culmination of their life's work. As the room fills with more and more chairs for guests that never appear, the play reaches a climax with the orator's arrival, only to reveal the futility of their expectations and the inherent emptiness of communication. The couple's desperate need for validation and their ultimate failure to convey meaning reflect the human condition's search for purpose in a senseless world.

"Happy Days" is a play that revolves around the life of Winnie, a middle-aged woman who is buried up to her waist in a mound of earth, with her situation worsening in the second act as she becomes buried up to her neck. Despite her predicament, Winnie maintains a sense of optimism and routine, often reminiscing about the past and engaging in one-sided conversations with her taciturn husband, Willie, who is largely invisible offstage. The play delves into themes of human resilience, the passage of time, and the search for meaning in the face of an absurd and unchanging predicament, with Winnie's relentless cheerfulness contrasted against the bleak and inexplicable situation she finds herself in.

"La Dispute" is a French play that explores the nature of love and fidelity through an 18th-century social experiment orchestrated by a prince and his court. The experiment involves raising four children — two boys and two girls — in isolation from the world and each other until adolescence, after which they are introduced to one another for the first time to determine whether infidelity is an innate human trait. The play unfolds as a comedy of manners, with the characters falling in and out of love while the observers debate and analyze their behaviors, ultimately leaving the audience to ponder the complexities of human relationships and the eternal question of whether infidelity is a product of nature or nurture.

"The Wild Duck" is a tragicomedy that explores themes of reality and illusion, as well as the destructive power of idealism. The story revolves around a man who returns home after 16 years to find his father married to his former lover. He believes he is doing the right thing by revealing the truth about their past, but his idealistic pursuit of the truth only leads to the destruction of the family's harmony. The wild duck in the story symbolizes the damage caused by harsh reality, suggesting that sometimes illusion is necessary for survival.

"When We Dead Awaken" is a dramatic play that revolves around the story of a renowned sculptor who encounters his muse from the past, leading to a profound reevaluation of his life and work. As he grapples with the realization that his artistic success has come at the expense of genuine human connection and passion, the play delves into themes of artistic integrity, lost love, and the quest for redemption. The narrative unfolds in a series of intense encounters and conversations, culminating in a climactic moment that forces the characters to confront the consequences of their choices and the transient nature of life and art.

"Four Plays" is a collection of dramatic works that delve into the complexities of human nature and the paradoxes of reality through a blend of fantasy and sophisticated wit. The plays often explore themes such as the corrupting influence of power, the conflict between the sexes, and the struggle between individual desires and societal expectations. With a unique blend of poetic dialogue and allegorical storytelling, the playwright scrutinizes the follies of civilization and the absurdities of human behavior, all while maintaining a sense of humor and a touch of the surreal. Each play within the collection stands as a testament to the author's skill in blending the whimsical with the profound, creating works that are both thought-provoking and entertaining.

"Selected Works" by Alfred Jarry is a compilation of the most significant writings from a French author known for his pioneering work in the Absurdist and Surrealist movements. The collection showcases a range of Jarry's literary output, including plays, essays, and novels, with his most famous character, Père Ubu, often taking center stage. Jarry's work is characterized by its satirical edge, inventive language, and the subversion of traditional literary forms. His influence extends beyond literature into the realms of theatre and the visual arts, where his ideas have continued to resonate with avant-garde movements throughout the 20th century and beyond.

"The Infernal Machine and Other Works" is a collection that showcases the literary prowess of its French author, featuring a diverse array of plays, poems, and essays. The centerpiece of the compilation is a reimagined version of a classic Greek tragedy, retold with a modernist twist that delves into the psychological complexities of its characters. The author's unique voice and avant-garde approach breathe new life into timeless themes, exploring the interplay between fate and free will, the nature of love and obsession, and the enduring power of myth. The additional works included in the volume further demonstrate the author's versatility and his contributions to the surrealist movement, cementing his status as a multifaceted artist of the 20th century.

The play revolves around the transformation of its main character, a man of Saxon origin who rises to become the Chancellor of England and a close friend to the King. However, when he is appointed Archbishop of Canterbury, he undergoes a profound change, embracing his role with a newfound religious zeal that puts him at odds with the King's authority. The play explores themes of friendship, loyalty, and the conflict between church and state, culminating in a dramatic clash that leads to the main character's martyrdom. His journey from a pleasure-loving courtier to a principled man of faith challenges both his own identity and the power structures of his time.

The play reimagines the classic myth of Orpheus through the perspective of his wife, Eurydice, a young actress who dies tragically in a car accident. In the afterlife, she is reunited with her father, and they share a bittersweet existence in the underworld. Orpheus, unable to accept her death, descends to bring her back to life, but with the condition that he must not look at her until they reach the upper world. The play explores themes of love, loss, and the choice between a perfect memory and imperfect reality, ultimately questioning whether true happiness can be found in the refusal to accept the impermanence of life.

"The Rehearl" is a play that delves into the complex interplay between reality and performance, set against the backdrop of a 17th-century French court. The narrative revolves around a group of actors who are rehearsing a play about the love affair between the Count and the Countess. As the actors immerse themselves in their roles, the boundaries between their real lives and the characters they portray begin to blur. The Countess's own brother, who is directing the play, manipulates the situation, leading to a dramatic intertwining of life and art that questions the nature of truth and illusion. The play explores themes of love, power, and the artifice inherent in both theater and life itself.

"The Lesson" is a darkly comedic one-act play that explores themes of power, absurdity, and education. It revolves around a Professor who tutors a young, enthusiastic Pupil in preparation for a totalizing examination. As the lesson progresses, the initially benign academic session descends into a surreal and oppressive ordeal. The Professor's pedantic instruction becomes increasingly authoritarian and nonsensical, leading to a climax that exposes the dangers of indoctrination and the grotesque potential of authority figures to abuse their power. The play is a poignant critique of totalitarian systems and the absurdities inherent in dogmatic approaches to knowledge and learning.

The play revolves around the bizarre situation of a couple living with the growing corpse of the husband's friend, Amédée, in their apartment. As the body inexplicably continues to expand, it causes increasing inconvenience and absurdity in their lives. The husband, a failed playwright, and his wife struggle with their mundane existence, their inability to dispose of the corpse, and the surreal events that unfold. The narrative explores themes of stagnation, guilt, and the absurdity of life, as the couple's surreal predicament serves as a metaphor for the inescapable, often grotesque, complexities of the human condition.

"Selected Writings" is a compilation of texts from a seminal figure in the avant-garde theater and literary world, known for his radical ideas on the performance arts and the role of the artist in society. This collection showcases the author's diverse literary output, including manifestos, plays, letters, and essays that delve into his Theatre of Cruelty concept, which sought to disrupt the complacency of the audience and challenge the boundaries of conventional theatre. The writings reflect his tumultuous life, marked by mental illness and profound philosophical inquiry, and his influential thoughts on the interplay between reality and illusion, the body and the psyche, and the potential of art to reveal the deepest truths of the human condition.

"Victims of Duty" is a play that delves into the absurdity of the human condition through a surreal and satirical narrative. The story revolves around a couple whose quiet evening is interrupted by the arrival of a detective, who is on a quest to find the protagonist's predecessor in their apartment. As the detective pressures the protagonist to recall past events, the play descends into a chaotic and nonsensical investigation, blending reality with illusion. The work critiques societal obligations and the search for meaning, ultimately questioning the nature of truth and the role of individuals within the constructs of duty and authority.

The book in question is a classic French Renaissance tragedy that delves into the complex and tumultuous life of a renowned Roman general and politician. Set against the backdrop of the Roman Empire's decline, the narrative explores themes of love, power, betrayal, and the tragic consequences of human flaws. The protagonist's story is one of a passionate and ill-fated love affair with a foreign queen, political strife, and the ultimate downfall of a once-great leader. Through poetic language and dramatic scenes, the play examines the intricate interplay between personal desires and the harsh realities of political life, leading to a catastrophic end that reflects on the nature of fate and the inescapable flaws of humanity.