"Mourning Becomes Electra" is a trilogy of plays that retells the Oresteia story of the House of Atreus in a modern American setting. The narrative explores the themes of revenge, obsession, and guilt within the Mannon family, who are haunted by a dark, cursed past. The plot follows the aftermath of the American Civil War, with the characters struggling to escape their tragic fate, ultimately leading to their downfall.

This play is a poignant depiction of life in a small American town called Grover's Corners, New Hampshire, at the turn of the 20th century. Through the everyday lives of its citizens, the narrative explores universal themes of love, marriage, mortality, and the passage of time. The story is narrated by a stage manager who directly addresses the audience and interacts with the characters, guiding viewers through the experiences of two families, the Gibbs and the Webbs. The play's minimalist staging and meta-theatrical elements emphasize the ephemeral nature of human existence, encouraging the audience to appreciate the beauty of life's ordinary moments.

"The Iceman Cometh" is a play set in a New York City bar in 1912, featuring a group of down-and-out alcoholics who spend their days in a state of drunken stupor, telling tall tales and dreaming of better futures. The arrival of a former patron, now sober, disrupts their routine as he insists on forcing them to face the harsh realities of their lives and abandon their delusions. The play is a poignant exploration of despair, disillusionment, and the human capacity for self-deception.

"Alcestis" is a Greek tragedy that tells the story of a queen who voluntarily chooses to die in place of her husband, the king, when he is fated to die early. The king's friend, Heracles, visits them and, unaware of the queen's death, is offended that he is not being properly entertained. Upon learning the truth, he fights and defeats Death to bring the queen back to life, restoring happiness to the royal household. The play explores themes of love, sacrifice, death, and the power of friendship.

The play explores the life of an African American family in the 1950s, focusing on the complex relationships between a father, who once aspired to be a professional baseball player but was thwarted by racial discrimination, and his family. The father's bitterness and frustrations over his unfulfilled dreams and the racial barriers of his time manifest in his relationships with his sons, who have their own hopes and ambitions. The narrative delves into themes of generational conflict, racial inequality, and the struggle for personal fulfillment, all symbolized by the fence the father builds around his yard, which serves as a metaphor for both division and protection.

The play is a profound and complex exploration of the AIDS crisis in the 1980s, intertwining the lives of several characters grappling with their sexuality, religion, and politics. Set against the backdrop of a conservative Reagan-era America, it delves into themes of abandonment, race, and the supernatural, as characters confront personal and societal challenges. The narrative weaves together the stories of a gay man diagnosed with AIDS, his closeted and conflicted lover, a Mormon couple facing their own crises, and a notorious real-life lawyer, Roy Cohn, also battling AIDS. Ethereal beings, including a heralding angel, intersect with the characters' lives, adding a fantastical dimension to the play's commentary on human suffering, redemption, and the quest for justice and love.

The play is a darkly comedic exploration of the volatile relationship between two estranged brothers who are brought together at their mother's suburban California home. The older brother, a struggling screenwriter, is working on a script while housesitting, only to be interrupted by his younger sibling, a drifter and thief. What follows is an intense, often surreal, confrontation that challenges their identities and aspirations, ultimately leading to a role reversal as they vie for the approval of a Hollywood producer. Their conflict escalates to a point of no return, symbolizing the clash of American myths and realities and questioning the very nature of authenticity and success.

"The Knights" is a satirical comedy that delves into the political landscape of ancient Athens, critiquing the city's leadership through the allegory of a household. The play focuses on the conflict between a noble but dimwitted horseman and a cunning and manipulative sausage-seller, both vying for the favor of their master, who represents the Athenian people. The sausage-seller, with the help of the chorus of knights, ultimately triumphs, symbolizing the hope for a new and better leader. The work is a pointed commentary on the demagoguery and corruption of the time, using humor and absurdity to explore themes of power, populism, and the responsibilities of citizenship.

This play is a powerful and emotionally charged piece of American agitprop theater that centers on the struggles of taxi drivers in the 1930s facing exploitative working conditions. Through a series of vignettes and monologues, it delves into the lives of individual workers, revealing their personal hardships and the impact of broader social injustices. The narrative builds towards a climactic union meeting where the characters debate whether to strike against their oppressive bosses. The play is renowned for its leftist political stance and its call to collective action, encapsulating the spirit of working-class resistance and solidarity during a time of economic turmoil.

This play is a gripping exploration of gender roles and the dynamics of power through the investigation of a rural murder. Set in the early 20th century, it follows two women who accompany their husbands, a sheriff and a neighbor, to the home of a man who has been murdered. While the men dismissively search for evidence, considering the women's concerns as mere "trifles," the women uncover crucial evidence by paying attention to domestic details overlooked by the men. Through their discoveries, the play critiques societal underestimation of women and subtly explores themes of justice and solidarity, revealing the women's empathy and understanding of the accused wife's plight, leading them to a moral dilemma.

This play is a tragic tale set on a New England farm, exploring themes of passion, family conflict, and the destructive power of desire. The narrative centers around an aging father, his young wife, and his son from a previous marriage. The complex relationships between these characters are strained further by issues of inheritance and the son's romantic feelings towards his father's new wife. As jealousy and desires escalate, the characters are driven to extreme actions, leading to a devastating conclusion. The work delves deep into the human psyche, examining the dark and often destructive nature of desire and the consequences of pursuing one's deepest wants at the expense of others.

The play is a powerful expressionist work that follows the life of a young woman who feels trapped and dehumanized by the societal expectations and mechanical nature of the early 20th-century urban environment. She is suffocated by her mundane job, an oppressive marriage to her boss, and the overall constraints of a patriarchal society. Her desperate longing for freedom and individuality leads her down a dark path that culminates in a shocking and tragic act, ultimately resulting in her entanglement with the justice system. The narrative is a critique of the industrial age and its impact on the human spirit, exploring themes of autonomy, alienation, and the crushing force of societal norms.

"Toys in the Attic" is a dramatic play that delves into the complexities of family dynamics and the corrosive power of greed and secrets. Set in early 20th-century New Orleans, it follows the Berniers sisters, whose lives are upended when their younger brother returns home with his new, wealthy wife. The sudden influx of wealth exposes hidden jealousies, suppressed desires, and societal pressures that threaten to unravel the fabric of the family. As the characters confront their personal demons and the consequences of their choices, the play examines themes of moral decay, the illusion of genteel Southern society, and the destructive nature of lies and deceit.

"Strange Interlude" is a Pulitzer Prize-winning play that delves into the complex inner lives and psychological struggles of its characters over a span of several decades. The narrative revolves around Nina Leeds, a woman haunted by her father's oppressive influence and her lover's death in World War I. As she seeks solace in various relationships, including a troubled marriage and an affair, the play employs unconventional techniques such as soliloquies and asides to reveal the characters' private thoughts and motivations. This exploration of themes such as mental illness, infidelity, and the search for meaning in the interwar period showcases the characters' intricate emotional landscapes and the societal pressures they navigate.

In this ancient Greek comedy, the women of Athens, fed up with the mismanagement and corruption of male politicians, disguise themselves as men to take over the city's assembly. Once in power, they institute a series of radical reforms, including the communal sharing of wealth and property, and the requirement that the most attractive men must sleep with the ugliest women first to ensure fairness in love. The play satirizes gender roles, political life in Athens, and the utopian solutions to societal problems, all while delivering a humorous yet pointed critique of the effectiveness of democratic governance and the nature of power.

"The Wasps" is a classical Greek comedy that satirizes the Athenian legal system and the citizenry's obsession with litigation. The play revolves around an elderly man, Philocleon, who is addicted to serving on juries and the comical lengths to which his son, Bdelycleon, goes to cure him of this addiction. The son eventually manages to keep his father at home by staging a mock trial of household pets, highlighting the absurdity of the legal proceedings. Through sharp wit and humor, the play critiques the flaws of democracy and the frivolity of the Athenian courts, while also exploring themes of generational conflict and the nature of justice.

"The Frogs" is a classic comedic play that delves into the world of Greek mythology and literature. The story follows the god Dionysus as he descends into the underworld with his slave Xanthias. Dionysus seeks to bring back the recently deceased tragedian Euripides to save the city from its cultural decline. However, upon arrival, he finds himself amidst a heated debate between Euripides and Aeschylus, another deceased playwright, over who is the greatest tragedian. A competition ensues, judged by Hades, leading to a series of humorous critiques of their plays and styles. The play is a satirical examination of Athenian society and the role of art and culture, filled with witty dialogue and commentary on the nature of theater.

In this ancient Greek tragedy, a dire situation unfolds as the Greek fleet, ready to sail for Troy, is becalmed at Aulis. The leader of the Greeks, Agamemnon, faces a harrowing choice when the seer Calchas reveals that the goddess Artemis demands the sacrifice of his daughter, Iphigenia, to appease her and allow the winds to blow once more. Torn between duty and love, Agamemnon lures his daughter to Aulis under the pretense of a marriage to Achilles, only to confront the moral dilemma of sacrificing his child for the sake of his army's success. The play delves into themes of honor, sacrifice, and the devastating costs of war, as characters grapple with their fates and the consequences of their choices.

"Ion" is a classical Greek tragedy that revolves around themes of identity, fate, and the complexities of family relationships. The play tells the story of a young man, Ion, who serves as an attendant at the temple of Apollo in Delphi. Unbeknownst to him, he is the son of Apollo and Creusa, the queen of Athens. Creusa, having been raped by Apollo and believing her child was dead, comes to the temple seeking answers about her lost son. A series of oracular revelations and dramatic encounters eventually lead to the recognition and reunion of mother and son. The play explores the intervention of the gods in human lives, the nature of legitimacy and inheritance, and the reconciliation of past trauma with present joy.

The tragedy centers on the sorrow and vengeance of a queen who has lost her city, her husband, and her children to war. After the fall of Troy, she becomes a slave to the Greeks and faces the ultimate horror of witnessing the sacrifice of her daughter and the brutal murder of her last surviving son. Her grief transforms into a dark quest for retribution, leading her to take justice into her own hands, which raises profound questions about morality and the limits of human suffering.

The play centers on the plight of Andromache, a Trojan widow and the former wife of Hector, who is now a slave to the Greek conqueror Neoptolemus. She struggles to protect her son from the murderous intentions of Neoptolemus' new wife, Hermione, and her father, Menelaus. Andromache seeks sanctuary at the shrine of Thetis, as she confronts the harsh realities of her reduced status and the political machinations of her enemies. The play examines themes of power, revenge, and the fates of women in a world ravaged by war, ultimately leading to an intervention by the god Peleus, which prevents further bloodshed and resolves the immediate conflict.

The play centers around Orestes, who, after obeying the god Apollo's command to avenge his father Agamemnon's murder by killing his mother Clytemnestra and her lover Aegisthus, is tormented by the Furies and rejected by his community. Facing execution, Orestes, along with his sister Electra and friend Pylades, concocts a desperate plan for survival that includes the potential murder of Helen, the wife of his absent brother Menelaus, and the taking of her daughter Hermione as a hostage. The play explores themes of justice, revenge, and the complexities of familial loyalty, culminating in a divine intervention that offers a resolution to Orestes' plight.

The play centers on the tragic hero Heracles, who, upon returning home from his labors, discovers that his wife and children are about to be executed by a tyrant who has usurped his throne. In a cruel twist of fate, Heracles is driven mad by the goddess Hera and, in his insanity, slays his own family, believing them to be his enemies. Upon regaining his sanity and realizing the horror of what he has done, Heracles is confronted with the unbearable weight of his actions and the loss of his family, leaving him to grapple with his guilt and the question of how to continue living after such a catastrophe.

This play delves into the power struggle between a university professor and one of his female students, who accuses him of sexual harassment. Set in the professor's office, the narrative unfolds through intense dialogues that explore themes of political correctness, miscommunication, and the dynamics of power and gender. As the situation escalates, both characters' lives and careers are profoundly affected, leading to a dramatic and controversial conclusion. The work challenges the audience to question the nature of truth and perspective, making it a compelling and thought-provoking piece.

The play delves into the fragmented psyche of a young African American woman named Sarah, who grapples with her mixed-race identity and internalized racism in a society that imposes severe racial divisions. Through a series of surreal and symbolic vignettes, the protagonist confronts various historical figures and personal apparitions that represent different aspects of her heritage and her struggle with self-hatred. The narrative's non-linear structure and the haunting atmosphere of the "funnyhouse" reflect the turmoil and complexity of Sarah's mental state as she seeks to reconcile her place in a world rife with racial tensions and her own fractured sense of self.