"Lucky Jim" is a comic novel that follows the life of Jim Dixon, a young and disillusioned lecturer at a provincial British university. Struggling with his job and his pretentious boss, Dixon navigates through a series of humorous and often absurd situations, including a disastrous public lecture and a chaotic weekend at his boss's house. The novel satirizes the snobbishness and hypocrisy of the academic world, and explores themes of class, ambition, and the struggle to find personal authenticity in a conformist society.

Set in the 1930s, this novel explores the disintegration of the marriage of an upper-class English couple, Tony and Brenda Last. Brenda embarks on an affair with a social climber, John Beaver, leading to the demise of her marriage. After their son's tragic death, Brenda demands a divorce and a large portion of Tony's estate. Tony, heartbroken, embarks on an ill-fated expedition to the Brazilian jungle. The novel critically examines the moral decay of British aristocracy and society.

"Dombey and Son" is a classic novel that explores the life of a wealthy and powerful businessman who is obsessed with maintaining his family's prestige. He places high hopes on his son while neglecting his daughter, only to face devastating loss and disappointment. The narrative is a complex web of relationships, social critiques, and vivid characters, all set against the backdrop of Victorian England. The story ultimately underscores the importance of love, compassion, and familial bonds over wealth and social status.

Set in the 1980s during the era of Margaret Thatcher's conservative government in Britain, this novel follows the life of a young gay man named Nick Guest. Coming from a middle-class background, he moves into the home of his wealthy friend's family and becomes infatuated with the opulence and power of the upper class. As he navigates his way through this new world, he also explores his sexuality, all while dealing with the societal and political implications of the AIDS crisis.

The novel is a darkly comic, murder mystery set in London at the end of the 20th century. The story follows three main characters: a terminally ill American writer, a petty criminal, and a beautiful but doomed woman who predicts her own murder but not the murderer. The narrative is filled with satirical social commentary, exploring themes of love, lust, greed, and deception.

The play is an absurdist, existential tragicomedy that follows two minor characters from Shakespeare's "Hamlet," Rosencrantz and Guildenstern, who are now the protagonists in their own story. As they stumble through philosophical debates and encounter a troupe of actors while trying to understand the nature of reality and their own existence, they find themselves increasingly out of their depth in a world where they have little control over their fate. The narrative weaves in and out of events from "Hamlet," offering a humorous and poignant perspective on free will, chance, and the search for meaning in a seemingly indifferent universe.

"Never Mind" is a darkly humorous and deeply disturbing narrative about an aristocratic English family. The story primarily focuses on a five-year-old boy who is the victim of his sadistic and sexually abusive father, while his mother, an alcoholic, ignores the situation. The narrative also provides a scathing critique of the British upper class through its exploration of the family's decadent lifestyle and morally corrupt behavior.

The novel follows the story of a scorned wife who embarks on a transformative journey of revenge against her adulterous husband and his mistress. After being belittled for her appearance and discarded for a more beautiful woman, she decides to reinvent herself completely, both physically and socially, to exact retribution. Her quest for vengeance leads her down a dark path where she manipulates and destroys the lives of those who wronged her. As she assumes control of her destiny, the protagonist challenges societal expectations of femininity and power, ultimately questioning the true nature of identity and the cost of her unyielding pursuit of justice.

"She Stoops to Conquer" is a comedic play that revolves around the story of a wealthy countryman, Mr. Hardcastle, who arranges for his daughter, Kate, to meet Charles Marlow, the son of a wealthy Londoner, hoping the pair will marry. However, Marlow is nervous around upper-class women, yet gets along fine with lower-class women. Kate learns of this and pretends to be 'common' to get to know him. The play concludes with Kate revealing her true identity, and Marlow, who is in love by this point, is relieved she's actually of the upper class. The play explores themes of class, courtship, and the deceptive nature of appearances.

The play is a satirical depiction of the gossip and hypocrisy found in the high society of 18th century London. It centers around two brothers with contrasting personalities, one appearing to be a model of virtue and the other a dissolute rake, and the schemes of a circle of wealthy, idle gossipmongers. The plot thickens with a series of misunderstandings, eavesdropping, and mistaken identities, all revolving around the brothers' romantic pursuits and the malicious spread of scandal. The narrative ultimately exposes the true characters of the individuals involved, revealing the seemingly virtuous brother to be hypocritical and the seemingly dissolute one to be honorable, thus critiquing the superficial judgments and moral corruption of the elite.

"Bad News" is the second novel in a series that follows the life of Patrick Melrose, a man from a wealthy but deeply troubled family. In this installment, Patrick, now 22, must travel to New York to collect his father's ashes. As he navigates the city, he struggles with his addiction to drugs and alcohol, and grapples with the traumatic memories of his abusive father. The narrative provides a darkly comic and deeply poignant exploration of addiction, trauma, and the struggle for redemption.

"Some Hope" is a darkly humorous novel that delves into the life of a man who struggles to overcome his traumatic past and drug addiction. He is invited to a lavish party filled with Britain's aristocracy, where he must confront his past and deal with the pretentious and shallow society he is part of. The narrative explores themes of abuse, recovery, and the struggle to find redemption and hope amidst despair.

The novel follows the life of Patrick Melrose, a man battling with his drug addiction and his troubled relationship with his parents. Patrick tries to come to terms with his mother’s decision to leave her estate to a New Age foundation rather than to him, her only son. The story delves into the complexities of inheritance, parenthood, and the lasting impact of childhood trauma. The narrative shifts between the perspectives of Patrick, his wife, and their two young sons, providing a multi-dimensional view of the family's struggles.

The play is a comedic and intellectual romp through Zurich during World War I, where the lives of historical figures like the Dadaist Tristan Tzara, the novelist James Joyce, and the communist revolutionary Lenin intersect through the unreliable memories of British consular official Henry Carr. The narrative is a playful, non-linear exploration of art, politics, and the nature of memory, blending slapstick humor with sharp wit and literary allusions. The work challenges the audience to consider the role of the artist in society and the impact of political upheaval on cultural expression, all while questioning the reliability of history and the very nature of truth itself.

"No Laughing Matter" is a satirical novel that charts the lives of the six children of the Matthews family, from World War I to the 1960s. The narrative is a social commentary on the changing face of Britain during this period, with each child representing different aspects of the British society. The book highlights the family's struggles with their own personal issues, as well as broader societal changes, such as the decline of the British Empire and the rise of modernity.

"Monica" is a historical novel set in the 19th century that explores the life of a Welsh woman named Monica. The narrative provides a vivid portrayal of her struggles and experiences as she navigates through the societal norms and expectations of her time. The book is a rich tapestry of Welsh culture and history, highlighting the complexities of gender roles, social class, and the human condition.

This play is a complex, intellectual comedy that delves into themes of moral philosophy, the nature of truth, and the complexities of human relationships. Set against a backdrop of a fantastical world where acrobats (the "Jumpers") philosophize about God and the universe, the narrative centers around a philosophy professor who is trying to reconcile his moral compass with the chaotic world around him, including his mentally disturbed wife and a murder mystery. Through witty dialogue and absurd situations, the play explores deep existential questions, making profound observations on the human condition and the search for meaning in an increasingly absurd world.

"Volpone" is a satirical comedy set in 17th century Venice, where the cunning protagonist, Volpone, and his servant, Mosca, swindle the city's wealthy elite by pretending Volpone is on his deathbed and in need of a worthy heir. This prompts a series of greedy contenders who offer extravagant gifts in hope of being named the heir. Despite their successful deceit, their scheme is eventually exposed, leading to their downfall. The story serves as a critique of greed and corruption, highlighting the destructive power of unchecked ambition.

"The Way of the World" is a Restoration comedy that explores the themes of love, marriage, and deceit in the high society of 18th century London. The plot centers around the complex relationship between Mirabell and Millamant, two lovers who must navigate a maze of social expectations and personal schemes to secure their future together. With a cast of characters that includes the cunning Fainall, the foolish Witwoud, and the manipulative Lady Wishfort, the play satirizes the manners and morals of the time, showcasing the intricate dance of courtship and the artifice involved in securing both love and fortune. Through witty dialogue and intricate plotting, the play critiques the superficiality of society while ultimately affirming the value of true wit and love.

The play explores the complex dynamics of social responsibility, morality, and religion through the lens of an idealistic young woman who works at the Salvation Army to help the poor, and her father, a wealthy munitions manufacturer. The conflict between their worldviews comes to a head as they debate the ethics of wealth and charity, with the father arguing that his business, which provides employment and security, is a greater force for good than charity work that merely alleviates the symptoms of poverty. The daughter's struggle with reconciling her moral convictions with the practicalities of the world leads to a profound examination of the true meaning of goodness and the source of societal change.

"The Beggar's Opera" is a satirical ballad opera that critiques the corruption of society through the lens of a criminal underworld in 18th-century London. The story revolves around the charming but deceitful highwayman, Macheath, who marries Polly Peachum, much to the dismay of her parents, who are involved in the criminal justice system and seek to profit from turning him in. The opera parodies the politics of the time, the legal system, and Italian opera, using popular tunes of the day to make it accessible to a wider audience. The narrative unfolds with a mix of comedy and drama, as Macheath's relationships with various women, including Polly and the jailer's daughter, Lucy Lockit, lead to his eventual arrest and the prospect of execution, with a satirical twist on the notion of justice and morality.

The play is a Restoration comedy from the 17th century that satirizes the sexual and marital mores of the time. It revolves around the exploits of Horner, a rakish gentleman who spreads a false rumor about his own impotence in order to seduce married women without arousing their husbands' suspicions. The narrative intertwines Horner's machinations with the stories of various couples, including the simple country wife Margery, who is new to the city's social scene and whose naivety and desire for pleasure make her an easy target for Horner's scheme. The play is known for its witty dialogue, sexual innuendo, and commentary on the hypocrisy of societal norms.

The play is a farcical comedy that delves into the chaotic world of Dr. Prentice, a psychiatrist, whose attempts to seduce his attractive prospective secretary, Geraldine Barclay, spiral out of control with the unexpected arrival of his wife, the government inspector Dr. Rance, and a bellboy who blackmails him. Set in a psychiatric clinic, the plot involves mistaken identities, cross-dressing, and ludicrous misunderstandings. The narrative satirizes the absurdities of psychiatry, sexual mores, and the British establishment, culminating in a whirlwind of comic situations that challenge social norms and the concept of "normalcy."

"Love for Love" is a classic Restoration comedy that revolves around the chaotic love lives and financial schemes of its characters. The plot centers on Valentine, a financially strapped gentleman who feigns madness to avoid paying his debts and to secure his inheritance, and Angelica, a wealthy and witty heiress who desires a man who loves her more than her money. The play humorously navigates through a series of mistaken identities, satirical engagements, and sharp-tongued repartee, culminating in a series of resolutions that pair off the characters in a traditional comedic fashion, all while delivering a biting social commentary on the mercenary nature of love and marriage in the Restoration era.

Set against the backdrop of pre-World War I Britain, the play unfolds in the eccentric household of Captain Shotover, an old sea captain turned inventor. The narrative explores the lives and loves of the inhabitants of the so-called "Heartbreak House," who represent a microcosm of British society at the time. As they engage in witty banter and romantic entanglements, the characters remain blissfully unaware of the looming external threats that will soon engulf Europe. The play serves as a social critique, highlighting the idle, ineffective intellectualism and lack of moral direction among the British cultural elite, which Shaw saw as contributing to the country's decline and the catastrophic war on the horizon.