This classic French play revolves around the character Tartuffe, a hypocritical and cunning man who pretends to be deeply pious and religious. He manages to deceive Orgon, a wealthy family patriarch, into believing in his piety. Orgon is so taken in by Tartuffe that he decides to marry him off to his daughter, despite her love for another man. The family works together to expose Tartuffe's true nature, leading to a series of comic and dramatic events. The play is a satirical critique of religious hypocrisy and gullibility.

The play is a comedic yet biting commentary on class and privilege, set against the backdrop of a single day in the life of a clever valet named Figaro, who is about to marry his beloved Suzanne. However, their plans are threatened by the Count, who desires Suzanne for himself and aims to exercise his feudal right to bed a servant girl on her wedding night. Through a series of clever maneuvers, secret plots, and humorous twists, Figaro, Suzanne, and their allies outwit the Count and other members of the aristocracy. The play challenges the social norms of the time, including the abuses of the upper classes and the rights of individuals, culminating in a celebration of love and marriage where wit and resourcefulness triumph over rank and power.

The play is an absurdist, existential tragicomedy that follows two minor characters from Shakespeare's "Hamlet," Rosencrantz and Guildenstern, who are now the protagonists in their own story. As they stumble through philosophical debates and encounter a troupe of actors while trying to understand the nature of reality and their own existence, they find themselves increasingly out of their depth in a world where they have little control over their fate. The narrative weaves in and out of events from "Hamlet," offering a humorous and poignant perspective on free will, chance, and the search for meaning in a seemingly indifferent universe.

The play is a satirical comedy that centers around Argan, a hypochondriac who obsesses over his health and squanders his fortune on unnecessary medical treatments. His ailment is exploited by charlatan doctors and a greedy wife, while his daughter's marital future hangs in the balance due to his misguided intentions. The story unfolds with a clever servant, Toinette, and Argan's brother, Béralde, attempting to open his eyes to the truth of his condition and the deceit around him. Through a series of humorous events, including a mock ceremony, the play critiques the medical profession and the foolishness of those who blindly follow it, ultimately advocating for common sense and true familial love.

"She Stoops to Conquer" is a comedic play that revolves around the story of a wealthy countryman, Mr. Hardcastle, who arranges for his daughter, Kate, to meet Charles Marlow, the son of a wealthy Londoner, hoping the pair will marry. However, Marlow is nervous around upper-class women, yet gets along fine with lower-class women. Kate learns of this and pretends to be 'common' to get to know him. The play concludes with Kate revealing her true identity, and Marlow, who is in love by this point, is relieved she's actually of the upper class. The play explores themes of class, courtship, and the deceptive nature of appearances.

"The Misanthrope" is a satirical play that explores the hypocrisy and corruption of French aristocratic society through the eyes of the protagonist, a man who insists on absolute honesty and despises flattery, insincerity, and social conventions. Despite his disdain for society, he falls in love with a coquette who embodies everything he detests, leading to a series of comedic and dramatic situations. The narrative ultimately emphasizes the importance of balance between truth and courtesy in social interactions.

"Rameau's Nephew" is a philosophical dialogue that explores themes of morality, societal norms, and the nature of genius. The story revolves around a conversation between a philosopher and a character who is the nephew of a famous musician. The nephew, a freeloader and a parasite, defends his lifestyle by arguing that it is not only acceptable but also necessary in a society where wealth and power determine value. The dialogue delves into the contradictions and ironies of social conventions, challenging traditional notions of virtue, vice, and human nature.

This book is a compilation of the works of a renowned 17th-century French playwright, who is often considered one of the greatest masters of comedy in Western literature. His plays are known for their satirical examination of social norms and human folly, featuring a range of characters from the foolish and the pedantic to the hypocritical and the corrupt. Some of his most famous works included in this collection are "Tartuffe," "The Misanthrope," and "The Imaginary Invalid."

The play is a satirical depiction of the gossip and hypocrisy found in the high society of 18th century London. It centers around two brothers with contrasting personalities, one appearing to be a model of virtue and the other a dissolute rake, and the schemes of a circle of wealthy, idle gossipmongers. The plot thickens with a series of misunderstandings, eavesdropping, and mistaken identities, all revolving around the brothers' romantic pursuits and the malicious spread of scandal. The narrative ultimately exposes the true characters of the individuals involved, revealing the seemingly virtuous brother to be hypocritical and the seemingly dissolute one to be honorable, thus critiquing the superficial judgments and moral corruption of the elite.

This comedic play explores the life of a libertine nobleman who is infamous for his seduction of women. The protagonist is a man who lives by his own rules, unburdened by morality or religion, and who takes pleasure in manipulating others for his own gain. His actions eventually lead to his downfall when he refuses to repent for his sins, resulting in a dramatic, supernatural punishment.

This comedic play revolves around a middle-class man who aspires to elevate his social status and become a gentleman. He hires teachers to educate him in the arts, language, and manners of the upper class, but his lack of understanding and pretentious behavior only makes him look foolish. His obsession with his newly acquired 'gentleman' status strains his relationship with his sensible wife and daughter, and leads to a series of humorous and satirical incidents that mock the pretensions and hypocrisy of the society.

"The Miser" is a comedic play that revolves around a wealthy man who is so obsessed with his money that he neglects his own children. His son and daughter, both in love with people they cannot afford to marry due to their father's stinginess, scheme to trick him out of his wealth. The play satirizes the greed and hypocrisy of the upper class, while exploring themes of love, deception, and the value of money.

The play is a comedic and intellectual romp through Zurich during World War I, where the lives of historical figures like the Dadaist Tristan Tzara, the novelist James Joyce, and the communist revolutionary Lenin intersect through the unreliable memories of British consular official Henry Carr. The narrative is a playful, non-linear exploration of art, politics, and the nature of memory, blending slapstick humor with sharp wit and literary allusions. The work challenges the audience to consider the role of the artist in society and the impact of political upheaval on cultural expression, all while questioning the reliability of history and the very nature of truth itself.

"Volpone" is a satirical comedy set in 17th century Venice, where the cunning protagonist, Volpone, and his servant, Mosca, swindle the city's wealthy elite by pretending Volpone is on his deathbed and in need of a worthy heir. This prompts a series of greedy contenders who offer extravagant gifts in hope of being named the heir. Despite their successful deceit, their scheme is eventually exposed, leading to their downfall. The story serves as a critique of greed and corruption, highlighting the destructive power of unchecked ambition.

"The Way of the World" is a Restoration comedy that explores the themes of love, marriage, and deceit in the high society of 18th century London. The plot centers around the complex relationship between Mirabell and Millamant, two lovers who must navigate a maze of social expectations and personal schemes to secure their future together. With a cast of characters that includes the cunning Fainall, the foolish Witwoud, and the manipulative Lady Wishfort, the play satirizes the manners and morals of the time, showcasing the intricate dance of courtship and the artifice involved in securing both love and fortune. Through witty dialogue and intricate plotting, the play critiques the superficiality of society while ultimately affirming the value of true wit and love.

"The School for Wives" is a comedic play about a man who attempts to groom a young woman to be his perfect, obedient wife. However, his plans are thwarted when the young woman falls in love with another man. The play satirizes societal norms around marriage, highlighting the absurdity of controlling relationships and the importance of love and mutual respect.

The play explores the complex dynamics of social responsibility, morality, and religion through the lens of an idealistic young woman who works at the Salvation Army to help the poor, and her father, a wealthy munitions manufacturer. The conflict between their worldviews comes to a head as they debate the ethics of wealth and charity, with the father arguing that his business, which provides employment and security, is a greater force for good than charity work that merely alleviates the symptoms of poverty. The daughter's struggle with reconciling her moral convictions with the practicalities of the world leads to a profound examination of the true meaning of goodness and the source of societal change.

"The Beggar's Opera" is a satirical ballad opera that critiques the corruption of society through the lens of a criminal underworld in 18th-century London. The story revolves around the charming but deceitful highwayman, Macheath, who marries Polly Peachum, much to the dismay of her parents, who are involved in the criminal justice system and seek to profit from turning him in. The opera parodies the politics of the time, the legal system, and Italian opera, using popular tunes of the day to make it accessible to a wider audience. The narrative unfolds with a mix of comedy and drama, as Macheath's relationships with various women, including Polly and the jailer's daughter, Lucy Lockit, lead to his eventual arrest and the prospect of execution, with a satirical twist on the notion of justice and morality.

The play is a Restoration comedy from the 17th century that satirizes the sexual and marital mores of the time. It revolves around the exploits of Horner, a rakish gentleman who spreads a false rumor about his own impotence in order to seduce married women without arousing their husbands' suspicions. The narrative intertwines Horner's machinations with the stories of various couples, including the simple country wife Margery, who is new to the city's social scene and whose naivety and desire for pleasure make her an easy target for Horner's scheme. The play is known for its witty dialogue, sexual innuendo, and commentary on the hypocrisy of societal norms.

"Critic" is a satirical play that humorously scrutinizes the pretensions and follies of the theatrical world through a play-within-a-play format. The story revolves around Mr. Dangle, an amateur critic and enthusiast of the arts, who, along with his friend Sneer, attends a rehearsal of a new tragedy written by the pompous and oblivious playwright, Mr. Puff. Throughout the rehearsal, Puff explains the various clichés and absurdities of contemporary theater, which he employs without any self-awareness, leading to a series of comedic critiques and misunderstandings about the nature of drama and the role of the critic.

"The Malcontent" is a Jacobean-era tragicomedy that delves into themes of political intrigue, revenge, and moral corruption within a court setting. The play centers around the character Malevole, the disguised and deposed Duke Altofronto, who maneuvers through a web of deceit as he seeks to expose the hypocrisy and villainy of those who usurped his throne. Through a series of satirical and darkly humorous episodes, the protagonist navigates a treacherous court filled with unscrupulous characters, ultimately aiming to restore justice and reclaim his rightful position. The work is known for its biting wit, complex characterizations, and exploration of the human condition, reflecting the moral ambiguities of the time.

"Love for Love" is a classic Restoration comedy that revolves around the chaotic love lives and financial schemes of its characters. The plot centers on Valentine, a financially strapped gentleman who feigns madness to avoid paying his debts and to secure his inheritance, and Angelica, a wealthy and witty heiress who desires a man who loves her more than her money. The play humorously navigates through a series of mistaken identities, satirical engagements, and sharp-tongued repartee, culminating in a series of resolutions that pair off the characters in a traditional comedic fashion, all while delivering a biting social commentary on the mercenary nature of love and marriage in the Restoration era.

Set against the backdrop of pre-World War I Britain, the play unfolds in the eccentric household of Captain Shotover, an old sea captain turned inventor. The narrative explores the lives and loves of the inhabitants of the so-called "Heartbreak House," who represent a microcosm of British society at the time. As they engage in witty banter and romantic entanglements, the characters remain blissfully unaware of the looming external threats that will soon engulf Europe. The play serves as a social critique, highlighting the idle, ineffective intellectualism and lack of moral direction among the British cultural elite, which Shaw saw as contributing to the country's decline and the catastrophic war on the horizon.

"Selected Works" by Alfred Jarry is a compilation of the most significant writings from a French author known for his pioneering work in the Absurdist and Surrealist movements. The collection showcases a range of Jarry's literary output, including plays, essays, and novels, with his most famous character, Père Ubu, often taking center stage. Jarry's work is characterized by its satirical edge, inventive language, and the subversion of traditional literary forms. His influence extends beyond literature into the realms of theatre and the visual arts, where his ideas have continued to resonate with avant-garde movements throughout the 20th century and beyond.

The play is a satirical comedy that delves into the pretensions and affectations of intellectualism and pedantry among the bourgeois class. It centers around the conflict within a family over the value of genuine learning and the superficial appearance of being cultured. The plot revolves around two young lovers whose marriage is opposed by the mother, who is under the influence of a pseudo-intellectual poet. The mother wishes her daughter to marry this pedantic man instead, valuing his ostentatious display of knowledge over genuine wisdom and love. The play mocks the absurdities of academic snobbery and the misplaced priorities of those who value the appearance of intelligence over true understanding and happiness.