"Lysistrata" is a comedic play set in ancient Greece, where the women of Athens, led by the eponymous character, decide to withhold sexual privileges from their husbands and lovers in order to force them to negotiate a peaceful end to the Peloponnesian War. Along with the women of Sparta, they seize the Acropolis and the treasury, and through their non-violent resistance, they manage to bring about a reconciliation between the warring states. The play is a humorous exploration of gender roles and the power of passive resistance.

This ancient Greek comedy play revolves around two men who are fed up with the problems of human society and decide to create a utopian city in the clouds with the help of birds. Their city, 'Cloudcuckooland', becomes popular and attracts gods and humans alike, leading to a series of humorous and satirical events. The play is a satire on political and social life in Athens, poking fun at its democracy, bureaucracy, and warfare.

"The Clouds" is a satirical play that critiques the intellectual and moral corruption of Athenian society by focusing on a father-son relationship. The father, in an effort to evade debt, sends his son to a school of sophistry to learn the art of manipulating language and logic to win arguments. The story explores themes of education, morality, and the conflict between traditional and modern values. The play is well-known for its critical portrayal of Socrates as a sophist and its comedic elements.

The play is an absurdist, existential tragicomedy that follows two minor characters from Shakespeare's "Hamlet," Rosencrantz and Guildenstern, who are now the protagonists in their own story. As they stumble through philosophical debates and encounter a troupe of actors while trying to understand the nature of reality and their own existence, they find themselves increasingly out of their depth in a world where they have little control over their fate. The narrative weaves in and out of events from "Hamlet," offering a humorous and poignant perspective on free will, chance, and the search for meaning in a seemingly indifferent universe.

"She Stoops to Conquer" is a comedic play that revolves around the story of a wealthy countryman, Mr. Hardcastle, who arranges for his daughter, Kate, to meet Charles Marlow, the son of a wealthy Londoner, hoping the pair will marry. However, Marlow is nervous around upper-class women, yet gets along fine with lower-class women. Kate learns of this and pretends to be 'common' to get to know him. The play concludes with Kate revealing her true identity, and Marlow, who is in love by this point, is relieved she's actually of the upper class. The play explores themes of class, courtship, and the deceptive nature of appearances.

The play is a satirical depiction of the gossip and hypocrisy found in the high society of 18th century London. It centers around two brothers with contrasting personalities, one appearing to be a model of virtue and the other a dissolute rake, and the schemes of a circle of wealthy, idle gossipmongers. The plot thickens with a series of misunderstandings, eavesdropping, and mistaken identities, all revolving around the brothers' romantic pursuits and the malicious spread of scandal. The narrative ultimately exposes the true characters of the individuals involved, revealing the seemingly virtuous brother to be hypocritical and the seemingly dissolute one to be honorable, thus critiquing the superficial judgments and moral corruption of the elite.

The play is a comedic and intellectual romp through Zurich during World War I, where the lives of historical figures like the Dadaist Tristan Tzara, the novelist James Joyce, and the communist revolutionary Lenin intersect through the unreliable memories of British consular official Henry Carr. The narrative is a playful, non-linear exploration of art, politics, and the nature of memory, blending slapstick humor with sharp wit and literary allusions. The work challenges the audience to consider the role of the artist in society and the impact of political upheaval on cultural expression, all while questioning the reliability of history and the very nature of truth itself.

"The Knights" is a satirical comedy that delves into the political landscape of ancient Athens, critiquing the city's leadership through the allegory of a household. The play focuses on the conflict between a noble but dimwitted horseman and a cunning and manipulative sausage-seller, both vying for the favor of their master, who represents the Athenian people. The sausage-seller, with the help of the chorus of knights, ultimately triumphs, symbolizing the hope for a new and better leader. The work is a pointed commentary on the demagoguery and corruption of the time, using humor and absurdity to explore themes of power, populism, and the responsibilities of citizenship.

"Volpone" is a satirical comedy set in 17th century Venice, where the cunning protagonist, Volpone, and his servant, Mosca, swindle the city's wealthy elite by pretending Volpone is on his deathbed and in need of a worthy heir. This prompts a series of greedy contenders who offer extravagant gifts in hope of being named the heir. Despite their successful deceit, their scheme is eventually exposed, leading to their downfall. The story serves as a critique of greed and corruption, highlighting the destructive power of unchecked ambition.

"The Way of the World" is a Restoration comedy that explores the themes of love, marriage, and deceit in the high society of 18th century London. The plot centers around the complex relationship between Mirabell and Millamant, two lovers who must navigate a maze of social expectations and personal schemes to secure their future together. With a cast of characters that includes the cunning Fainall, the foolish Witwoud, and the manipulative Lady Wishfort, the play satirizes the manners and morals of the time, showcasing the intricate dance of courtship and the artifice involved in securing both love and fortune. Through witty dialogue and intricate plotting, the play critiques the superficiality of society while ultimately affirming the value of true wit and love.

In this ancient Greek comedy, the women of Athens, fed up with the mismanagement and corruption of male politicians, disguise themselves as men to take over the city's assembly. Once in power, they institute a series of radical reforms, including the communal sharing of wealth and property, and the requirement that the most attractive men must sleep with the ugliest women first to ensure fairness in love. The play satirizes gender roles, political life in Athens, and the utopian solutions to societal problems, all while delivering a humorous yet pointed critique of the effectiveness of democratic governance and the nature of power.

"The Frogs" is a classic comedic play that delves into the world of Greek mythology and literature. The story follows the god Dionysus as he descends into the underworld with his slave Xanthias. Dionysus seeks to bring back the recently deceased tragedian Euripides to save the city from its cultural decline. However, upon arrival, he finds himself amidst a heated debate between Euripides and Aeschylus, another deceased playwright, over who is the greatest tragedian. A competition ensues, judged by Hades, leading to a series of humorous critiques of their plays and styles. The play is a satirical examination of Athenian society and the role of art and culture, filled with witty dialogue and commentary on the nature of theater.

"The Wasps" is a classical Greek comedy that satirizes the Athenian legal system and the citizenry's obsession with litigation. The play revolves around an elderly man, Philocleon, who is addicted to serving on juries and the comical lengths to which his son, Bdelycleon, goes to cure him of this addiction. The son eventually manages to keep his father at home by staging a mock trial of household pets, highlighting the absurdity of the legal proceedings. Through sharp wit and humor, the play critiques the flaws of democracy and the frivolity of the Athenian courts, while also exploring themes of generational conflict and the nature of justice.

The play explores the complex dynamics of social responsibility, morality, and religion through the lens of an idealistic young woman who works at the Salvation Army to help the poor, and her father, a wealthy munitions manufacturer. The conflict between their worldviews comes to a head as they debate the ethics of wealth and charity, with the father arguing that his business, which provides employment and security, is a greater force for good than charity work that merely alleviates the symptoms of poverty. The daughter's struggle with reconciling her moral convictions with the practicalities of the world leads to a profound examination of the true meaning of goodness and the source of societal change.

"The Beggar's Opera" is a satirical ballad opera that critiques the corruption of society through the lens of a criminal underworld in 18th-century London. The story revolves around the charming but deceitful highwayman, Macheath, who marries Polly Peachum, much to the dismay of her parents, who are involved in the criminal justice system and seek to profit from turning him in. The opera parodies the politics of the time, the legal system, and Italian opera, using popular tunes of the day to make it accessible to a wider audience. The narrative unfolds with a mix of comedy and drama, as Macheath's relationships with various women, including Polly and the jailer's daughter, Lucy Lockit, lead to his eventual arrest and the prospect of execution, with a satirical twist on the notion of justice and morality.

The play is a Restoration comedy from the 17th century that satirizes the sexual and marital mores of the time. It revolves around the exploits of Horner, a rakish gentleman who spreads a false rumor about his own impotence in order to seduce married women without arousing their husbands' suspicions. The narrative intertwines Horner's machinations with the stories of various couples, including the simple country wife Margery, who is new to the city's social scene and whose naivety and desire for pleasure make her an easy target for Horner's scheme. The play is known for its witty dialogue, sexual innuendo, and commentary on the hypocrisy of societal norms.

"Critic" is a satirical play that humorously scrutinizes the pretensions and follies of the theatrical world through a play-within-a-play format. The story revolves around Mr. Dangle, an amateur critic and enthusiast of the arts, who, along with his friend Sneer, attends a rehearsal of a new tragedy written by the pompous and oblivious playwright, Mr. Puff. Throughout the rehearsal, Puff explains the various clichés and absurdities of contemporary theater, which he employs without any self-awareness, leading to a series of comedic critiques and misunderstandings about the nature of drama and the role of the critic.

"The Malcontent" is a Jacobean-era tragicomedy that delves into themes of political intrigue, revenge, and moral corruption within a court setting. The play centers around the character Malevole, the disguised and deposed Duke Altofronto, who maneuvers through a web of deceit as he seeks to expose the hypocrisy and villainy of those who usurped his throne. Through a series of satirical and darkly humorous episodes, the protagonist navigates a treacherous court filled with unscrupulous characters, ultimately aiming to restore justice and reclaim his rightful position. The work is known for its biting wit, complex characterizations, and exploration of the human condition, reflecting the moral ambiguities of the time.

"Love for Love" is a classic Restoration comedy that revolves around the chaotic love lives and financial schemes of its characters. The plot centers on Valentine, a financially strapped gentleman who feigns madness to avoid paying his debts and to secure his inheritance, and Angelica, a wealthy and witty heiress who desires a man who loves her more than her money. The play humorously navigates through a series of mistaken identities, satirical engagements, and sharp-tongued repartee, culminating in a series of resolutions that pair off the characters in a traditional comedic fashion, all while delivering a biting social commentary on the mercenary nature of love and marriage in the Restoration era.

Set against the backdrop of pre-World War I Britain, the play unfolds in the eccentric household of Captain Shotover, an old sea captain turned inventor. The narrative explores the lives and loves of the inhabitants of the so-called "Heartbreak House," who represent a microcosm of British society at the time. As they engage in witty banter and romantic entanglements, the characters remain blissfully unaware of the looming external threats that will soon engulf Europe. The play serves as a social critique, highlighting the idle, ineffective intellectualism and lack of moral direction among the British cultural elite, which Shaw saw as contributing to the country's decline and the catastrophic war on the horizon.

"The Plain Dealer" is a Restoration comedy that revolves around the character of Manly, a sea captain and misanthrope who despises the hypocrisy and duplicity of society. After returning from sea, he finds himself entangled in a web of romantic and financial intrigues. Manly is in love with Olivia, who betrays him, while his friend Fidelia disguises herself as a man to remain close to him. The play satirizes the superficiality and corruption of the time, showcasing a series of deceptions and misunderstandings that ultimately lead to the exposure of true intentions and the restoration of Manly's fortunes and happiness. The work is known for its sharp wit, complex characters, and exploration of themes such as honesty, trust, and the nature of true friendship.

This collection brings together the witty and whimsical operatic works that emerged from the celebrated collaboration between a librettist and a composer, which captivated Victorian England and continue to delight audiences today. The book contains the complete texts of their satirical and comic operas, known for their clever wordplay, memorable melodies, and incisive social commentary. From tales of love aboard a British ship to the topsy-turvy world of a land where flirting is a capital offense, these plays skewer the foibles of society, politics, and culture, all while entertaining with their unique blend of humor and song.

The play is a Restoration comedy that satirizes the manners and affectations of a social class, particularly the courtiers and town gallants. Set in Restoration London, the plot revolves around the rakish protagonist, who is a notorious womanizer and his schemes to woo multiple women, including a virtuous young lady whom he genuinely falls for. The narrative unfolds with a series of witty dialogues, humorous situations, and a cast of characters that embody the excesses and vanities of the time. The play explores themes of love, deception, and the pursuit of pleasure, all while providing a critical look at the superficiality and moral laxity of the aristocratic society.

"The Complete Plays" is a collection of darkly humorous and satirical works by a renowned 20th-century playwright, known for his subversive take on social norms and institutions. The plays within this anthology challenge the boundaries of conventional theater, blending elements of farce and black comedy to critique the hypocrisies of society. The characters often find themselves in absurd and scandalous situations, reflecting the playwright's interest in the themes of sexuality, authority, and the fluidity of identity. With a sharp wit and a flair for dialogue, the plays remain influential, highlighting the enduring power of satire in the dramatic arts.

The book in question is a comedic play set in early 17th-century London, where a clever trio of con artists—Subtle, Face, and Dol—takes advantage of urban fear and superstition during a plague outbreak to swindle a series of gullible victims. Using the guise of an alchemist capable of performing miraculous transformations, the group promises wealth and power to their targets, spinning a web of deceit and exploiting human greed and folly. The play unfolds as a series of farcical episodes, culminating in the inevitable unraveling of their schemes, offering a satirical critique of human credulity and the pretensions of pseudo-science.