The play unfolds as a post-World War II drama centering on the life of Hester Collyer, a woman caught in a tumultuous affair with an ex-RAF pilot named Freddie Page. Hester's emotional turmoil and search for meaning lead her to attempt suicide after Freddie leaves her. As the narrative progresses, the complexities of Hester's relationships with her estranged husband, a compassionate doctor, and her lover are explored, revealing themes of love, loneliness, and the struggle to find personal fulfillment against the constraints of 1950s British society. Through intimate conversations and reflective moments, the characters grapple with their choices and the consequences of their desires, painting a poignant picture of human vulnerability and the need for connection.

The play is a poignant exploration of the fading dreams and fraying relationships among a group of friends in post-WWII Australia. It centers on two sugarcane cutters, who have maintained a sixteen-year tradition of spending the off-season with two women in the city, indulging in the carefree illusion of their youth and temporary escape from their laborious lives. However, as the seventeenth summer rolls in, the characters are confronted with the harsh realities of aging and the inevitable change in their circumstances, leading to a dramatic reassessment of their lives, aspirations, and relationships. The narrative delves into themes of time, change, and the bittersweet nature of clinging to past traditions in the face of an evolving world.

The play centers around the dual nature of the wealthy landowner, Mr. Puntila, who oscillates between a cruel and exploitative capitalist when sober and a generous, friendly man when drunk. His complex relationship with his shrewd chauffeur, Matti, serves as a vehicle to explore themes of class struggle, the contradictions within human nature, and the social dynamics of power. Throughout the narrative, Puntila's erratic behavior affects his daughter's marriage prospects and highlights the absurdities and injustices of the class system, while Matti's practical wisdom and cunning expose the farcical elements of his employer's actions, ultimately leading to a satirical examination of the societal norms of the time.

"Bingo" is a play that delves into the complex and tumultuous final days of a renowned English playwright during the 16th century. As he grapples with his waning creativity, the protagonist is also confronted with the harsh realities of enclosures and the suffering of the common people. The narrative weaves through themes of power, greed, and social injustice, juxtaposing the personal turmoil of the writer with the broader socio-political conflicts of the era. The play presents a stark and introspective examination of the human condition and the moral compromises that often accompany the pursuit of wealth and status.

"All That Fall" is a one-act radio play that revolves around the character of Maddy Rooney, an elderly and struggling woman, as she makes her laborious journey to the train station to pick up her blind husband. Along the way, she encounters various villagers who contribute to the play's darkly comic and poignant atmosphere. The narrative weaves together themes of human suffering, the absurdity of existence, and the search for meaning, all while maintaining a sense of rhythm and musicality in the dialogue. As the story unfolds, the audience is drawn into a reflection on the nature of life’s burdens and the inescapable condition of decline that characterizes the human experience.

The play delves into the life and struggles of a third-rate vaudeville performer, Archie Rice, who is facing a personal and professional crisis. As he grapples with a failing career on the stage and mounting debts, his family life is also in turmoil. The narrative explores themes of disillusionment and the decline of the British Empire through the lens of Archie's interactions with his family, including his elderly father, who was once a successful performer, his long-suffering wife, and his politically active daughter. The play presents a poignant commentary on the changing face of entertainment and the generational tensions in post-war Britain.

This play scrutinizes the class system and power structures within the Royal Air Force of the 1950s, focusing on a group of conscripts undergoing basic training. It highlights the tensions and camaraderie among the young men, many of whom are from different social backgrounds, and their interactions with the officers who enforce the rigid military hierarchy. The protagonist, a well-educated individual, challenges the status quo, questioning the purpose and value of the established order. The narrative explores themes of individuality, conformity, and the struggle against institutional authority, ultimately questioning the role of the individual within the collective society.

The play is a farcical piece that turns the traditional stage convention on its head by having the set plunged into darkness for the audience while the characters pretend to be in a blackout. The chaos unfolds in real-time as a struggling sculptor attempts to impress his fiancée's pompous father and a millionaire art collector. However, when a power cut strikes, the sculptor's flat becomes a hotbed of mishaps and mistaken identities as neighbors, lovers, and the in-laws all stumble around, leading to a series of comic misunderstandings and slapstick humor, all under the cloak of darkness that only the audience can see through.

This play is a dark comedy that unfolds over three successive Christmas Eves, focusing on three couples of varying social statuses linked by business and personal relationships. The narrative explores themes of social climbing, marital discord, and the often absurd nature of human behavior, as the characters' fortunes rise and fall. Each act takes place in a different couple's kitchen, serving as a backdrop to the shifting dynamics and power structures within the group. The humor is both situational and poignant, revealing the characters' desperate attempts to maintain appearances and control in the face of life's unpredictability and their own personal failures.

The play is a compelling exploration of the futility of war and the impact it has on soldiers and civilians alike. Set in a small English mining town during the 19th century, the story follows four soldiers, led by the eponymous character, who desert their colonial war to bring a message of peace to the town's people. However, their mission becomes complicated as the town's economic reliance on the war and the soldiers' own traumas intertwine, leading to a tense standoff. Through a blend of realism and symbolism, the narrative examines themes of violence, authority, and the cyclical nature of conflict, ultimately questioning the morality of militarism and the cost of dissent.

"The Mysteries" is a collection of poetic plays that adapt the medieval mystery plays of England into contemporary language, giving new life to the biblical stories ranging from the Creation to the Last Judgment. Through the use of vigorous, modern verse, the plays explore the intersection of faith, culture, and everyday life, capturing the essence of these ancient tales while making them accessible and resonant for a modern audience. The work maintains the communal spirit of the original cycle plays, reflecting on universal human experiences and moral dilemmas, and inviting reflection on the role of the divine in the mundane.

"Racing Demon" is a compelling exploration of the personal and professional crises faced by a group of clergymen in the Church of England. Set against the backdrop of a rapidly changing society, the play delves into the lives of four vicars as they grapple with their faith and the relevance of the church in contemporary London. Confronting issues such as homosexuality, the ordination of women, and the clash between progressive and traditionalist views, the narrative weaves a complex tapestry of moral dilemmas, ecclesiastical politics, and the struggle to maintain personal integrity amidst institutional decay. Through sharp dialogue and nuanced character development, the play presents a thought-provoking examination of spirituality and the human condition in the modern world.

The play is a speculative work set in the near future, exploring the reign of Charles after he ascends to the British throne following the death of Queen Elizabeth II. It delves into the political and personal turmoil that ensues as Charles grapples with the weight of the crown and the responsibilities that come with it. The narrative follows his struggle with his own principles versus the demands of the modern British monarchy, the conflicts within his family, and the broader implications of his actions on the nation's constitutional fabric. Written in Shakespearean blank verse, the play examines themes of power, tradition, and the evolving nature of the monarchy in contemporary society.